Bella Swan’s Anne of Green Gables Inspired Wedding Gown with White Satin and Rose Lace from Breaking Dawn

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In the final book of the Twilight series, Breaking Dawn, Bella and Edward get married. Bella, whose parents are divorced, has never really seen marriage as a desirable life goal, doesn’t want people to think she’s pregnant and she worries about branding herself a desperate, vapid girl insistent on getting married right out of high school. Certainly nothing says “commitment” like forsaking humanity and spending eternity with someone, so what’s the point of a wedding? Old-fashioned Edward, however, wants to be married, and Bella comes around to his point of view, starting to consider it natural and happy for two people in love to be married, and to heck with the gossips and disapproval of society and her family. She keeps thinking of Anne of Green Gables, of the simpler time she associates with when Edward would have been young, of the high-necked blouse and long skirt she would wear.

Bella guesses that the inspiration was from 1918 when she sees her dress, Alice replies more or less and Liana tears her hair out. Here I thought we were using an Anne-centric timeline, but only in the miniseries did Anne get married during the First World War — in the books, Anne got married in 1890, according to this page, and WWI was her daughter Rilla’s turn as a heroine. So what does Bella’s dress look like? Victorian-style clothes play a large role in her fantasy of simple romance, and she says, looking at the dress, that it’s just what she imagined. Yet, a dress from 1918 probably wouldn’t have that Victorian high neck, or maybe not even the long skirt. It must also be noted that 1918 is when Edward was transformed into a vampire at the age of 17, so a dress from this age would probably appeal to him more than something his mom would have worn. 1918 would also be about right, if Bella’s mother, who thought the gown looked like something from a Jane Austen novel, was a hundred years off. Then Alice was stage-managing the whole thing, and I have a really hard time seeing her send Bella out in an unfashionable wedding dress. No one does high necks anymore, not even LDS members going for modesty, and long sleeves seem to be relegated to the Éowyn look. So what exactly do we have here? An Anne-style 1890 gown with puffed sleeves? A streamlined, more fashionable but still modest 1918 gown? A modern dress with vintage touches? I’ve been trying to decide for the last week.

So yeah, at this point I think I may have pondered the dress — possibly overthought the dress — more than the author, and it’s been maddening. Maybe it’s like the prom dress: however you see it is right. (Witness the range of Twilight wedding dresses on deviantart.) That means I’m going to stop trying to come up with something perfect and just go with a pseudo-1890s gown, taking Bella at her word that she wanted to dress like Anne and got her wish. But you could just as easily assume that Bella only saw the miniseries, so maybe I’ll draw a 1918 gown too, another day. Trying to combine the two — yeah, I got some pretty funny sketches out of the idea, but I think I’ll pass. In my sketches of this dress, she has her hair down and even though it’s old-fashioned, it’s still romantic and sweet.


The Twelve Dancing Princesses (A Christmas Tale), Day 1: Perdita’s Red Gown with Rose Embroidery and Gold Trim

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Once upon a time, a king and twelve princesses lived in a distant land far in the north. Some of the princesses were his own daughters, some were adopted, some were cousins of varying distances, but they were all kind, merry and if not all wise, at least exceedingly smart. The king, whatever his other faults, loved them all dearly and considered all of them his own, but this affection, no longer tempered by the wisdom of the queen who had passed on in their childhood, led to over-protecting his precious girls. For he had read the story of the man who became Buddha, but managed to glean the wrong lesson entirely from it. “Such a wise man the Buddha’s father was, such sound ideas of child-rearing,” he thought, and therefore the princesses were brought up with the utmost care. They never knew even a mild cold, much less contact with bitter poverty or death; even balls were forbidden. “You would get chilled to the bone just leaving the castle,” insisted the King, “you would have to travel for hours, and goodness knows what kinds of people you might meet at one of those sordid affairs.” Instead, when a suitor came to call, he would be forced into a game of chess with the desired princess, the King standing behind her, smiling gleefully as his daughter beat the stuffing out of the flabbergasted suitor.

For the princesses were all very good at chess, having played each other for hours on end. As a matter of fact, they were accomplished at all one might learn or do without leaving the castle, for they were smart women and hated being bored. Perdita, the eldest, was the cleverest and the best at chess, but they all had their specialties. For example, Camellia was the wisest, with the personality of a judge and a few books about the laws of her country and child rearing under her belt, while Juliette had perfect pitch and a knack for playing about any instrument she touched.

Winter in this kingdom was much like any other season there, but the princesses felt even more restless than usual around this time of year. They had no Christmas parties to look forwards to, no way to help the less fortunate, no one to carol to except the castle residents who had heard all their songs before. They would do things like read Christmas stories to each other and decorate the castle to within an inch of its life, of course, but it wasn’t really what they hoped for. They pleaded for a change of some sort, as they had every year, and their father was getting quite tired of all their petitions and complaints. Then, one day near the beginning of December, the petitions suddenly stopped.  The King — not, frankly, a very introspective man — thought they had finally learned that whining got them nowhere.

He was very angry, then, to learn that the silence didn’t stem from obedience, but from subterfuge. For after luxuriating in the silence for a week, he learned from the royal cobbler one morning that the princesses had all requested new slippers recently. This seemed a trivial fact to him, and he was prepared to scold the cobbler for bothering him with nonsense, until the cobbler patiently spelled it out for him.

“Your Majesty, it seemed strange to me merely because the slippers are so new, I made them just two months ago, but now they return to me so very worn. Usually the princesses’ slippers last for a good deal of time — well, except for the twins’ shoes.” The king frowned, obviously preparing to scold, and the cobbler went on quickly. “So you see, these shoes have seen a great deal of use as of late…”

“Use? What do you mean?”

“I mean,” stammered the cobbler, who was a wise old man who was a little embarrassed about having to explain something so obvious, “that they are walking more, perhaps, or dancing, or leaving the castle. Nothing else can account for how worn the slippers look in such a short time.”

“What?!” roared the king, jumping up from his throne. “Dancing? Leaving the castle? I knew it! I knew they were being too quiet,” he said triumphantly, although he had known nothing of the kind. He snatched the worn pair of shoes from the cobbler and stormed down the hallway to the princesses’ chambers. Throwing open the door, he boomed, “Whose shoes are these?”
(To be continued…)

This dress belongs to Perdita, the oldest at twenty-five. She’s the cleverest of all the princesses and the best at chess. She’s very close to Camellia, the next eldest of the princesses, but all of the girls look up to her and respect her. A placid woman, she usually accepts her father’s ideas and orders, and enjoys her life in the castle, where she can practice chess and write stories (in secret) to her heart’s content. But she’s only placid as long as she’s content, and if she feels put-upon and frustrated she can be hard to deal with. She loves the color red and roses of every color.


Liz Patterson’s Final Wedding Dress with Teal and Lavender Roses from For Better or For Worse

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Since my 1940s wedding dress attached to a rant on For Better or For Worse is one of the more popular dresses on the blog, I feel like I should bring the saga to a close. Dee ended up altering the supposedly sixty-something-year old dress into something reasonably modern, the Ghost of Grandma made up for fanciful logic on the part of the cartoonist, the flowers were hideous and Liz ended up marrying that creep. All the way up until the vows were said I was hoping Liz would come to her senses, but immediately after that scene I was so over the whole thing, as evidenced by my putting off the dress for four months. If the end of the saga was boring its weird rebirth is mind-numbingly dreary, although sometimes I visit the Foobiverse!’s Journal out of nostalgia and their second-hand psychoanalysis of Lynn is amusing at times. I still follow Foob’s Paradise, though, which is a webcomic that continues the Pattersons’ adult lives.

Since I get so many search queries related to weddings, I’m thinking of doing some sort of “wedding week” perhaps, maybe after Christmas. If you have any pictures of wedding dresses you just love, feel free to post links in the comments so I can get inspired!

The Good Queen is so far holding her own over the other dead queen and the rest of her competitors. She would say that’s only the way things should be, but it’s not over yet. I will do a bonus costume or two for whoever wins, so if you adore one of them get your vote in, send your friends over, post to your weblog and beg your readers to vote for your favorite!


Halloween Costume Series Day 5: Green Princess Gown with Pink Rose Trim and Gold Lace

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So what if “princess” is possibly the least imaginative costume for anyone past second grade? It’s pretty, and if there’s anything I like in this world it is pretty dresses. I believe, now, that I may be the foremost non-Disney expert on what makes a dress princess-worthy, for these are the kinds of things one thinks about when one draws lots of paper dolls.

I don’t know much about the owner of this dress except that she does like her roses, and I would be surprised if she cultivates them herself as the owner of this pink princess gown does. No, this princess is a bit of a terror, and she insisted that her dress should lend her a sort of mature innocence, that it should be both heavy and light, serious and frilly, and highly becoming to her porcelain complexion and rich brown hair. It it is no coincidence that her dressmaker took a very long vacation after its completion. But this, I think, is not the kind of princess to worry too much about the anguish of such people. I for one hope the dressmaker got far enough away not to hear about the princess saying, at her next ball, “Oh, this old thing? You like it? It’s just an old rag I had lying around in my closet.”

The veil should be cut between the gold part and the white fabric, such that the doll’s head can be slipped through and the gold band goes around the forehead while the veil flutters behind.

Take my new poll: