Audrey, my fourth doll!

A pale-skinned adult woman doll. She has wavy red hair that falls partially over one eye, curved eyebrows, grey-green eyes and smokey eyeshadow. She has thin coral lips and small pearl earrings. She's wearing a sleeveless white top with a high scoop neck, patterned with swirls and flowers, and a long skirt that goes from light green to dark bluish-green and sparkles all over. It's gathered in front and fans out around the ankles, giving it a mermaid silhouette. There's a golden belt around the hips, accented with a orange gem ringed with pearls, and she wears a golden circlet decorated with golden beads, pearls and a small orange gem.Please welcome the long-awaited Audrey! I asked my mailing list and social media followers to vote in a poll to decide on her name, but both times there were problems with the poll. However, both times Audrey was way ahead, so I’ll be continuing the pattern of two-syllable names stressed on the first syllable. I’ve also done some work to streamline the doll-making process, as before this I was working from files that were confusing, saved in several different locations and so large they slowed my computer down considerably. So my hope is that the next doll won’t take so long to make!

As always, if you’re printing her out a lot of the outfits will need you to cut between her hair and her shoulders, so that the tabs can slip between them. She also has a version with underwear and a version with a pink dress; so far, the only outfit that doesn’t work with the pink dress is the mermaid tail.

Next week will be a princess dress like you’ve never seen before! In the meantime, you can download combined color and black and white PDFs of all of my dolls and outfits for free! (Even the 2015 ones – I’ve finally added them.) Also follow me on Facebook, Twitter or Pinterest for sneak previews, grousing about polls and gorgeous dresses. If you enjoy my work, I'd also appreciate your support through Patreon.


Recolored Lavender Mermaid Tail with White Top

A bluish-lavender mermaid tail with lighter, warmer fins along the top, sides and base of the tail. The tail shimmers in shades of pink, purple, yellow and blue. The top is a one-shoulder Greek inspired white top that shows the midriff and is bordered with gold scroll patterns. At the shoulder is a golden starfish brooch with an opal in the middle, and there are strands of pearls looped over the shoulder and upper arm.You may remember this mermaid tail? I wasn’t satisfied with it at the time, and I wanted to practice a mermaid scale technique I saw used on official Ariel artwork and immediately coveted. So I reused this drawing so I could spend the time experimenting and trying to get the tail looking good. It certainly is an exuberant technique — maybe I went a bit overboard? Well, you know me, I like my glitter.

I’m still working on that mermaid story I mentioned in the previous post. I started actually writing it for NaNoWriMo but 40,000 words in I’m realizing I have to rework the entire second part and most of the first, and am currently having all sorts of fun planning to cut out several thousand of those words.

Next week, I probably will actually finish up that new doll. Until then, you can download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for beautiful saris, sneak previews and paperdoll thoughts. If you enjoy my work, I'd also appreciate your support through Patreon.


The Mythic Ball, #5: Phoenix’s Rhinestone Gown

Liana's Paper Dolls: Phoenix's Costume. A dark navy blue gown with a high neckline and no sleeves. There's a circle keyhole cutout under the neckline, and the dress is mermaid-style, tight around the bodice and legs then fanning out near the floor. It's decorated with an abstract phoenix pattern in rhinestones all over the top of the dress and abstract swirls of rhinestones on the skirt. There's a long length of orange, yellow and red fabric patterned with gold swirls draped around the hips and legs, over one shoulder and over the skirt, fanning out like a tail. There's also a red and gold mask with stylized feathers on each side extending far past the head.Many of the attendees informally call this event the “Monsters’ Ball,” since all of the archetypes in attendance are fundamentally inhuman. (Are there human-based archetypes? Sure, but if they take physical form and throw a party, it’s not this one.) The nickname doesn’t sit right with everyone, though; Phoenix won’t let it be said around her, since she is very insistent that she’s not a monster. She likes to be known instead for her goodness and sparkly dresses.

“Destructive fire powers tend to suggest ‘monster’ to unbiased onlookers,” Dragon says. Her tone is a little arch but not unkind; they have this discussion nearly every year and the arguments are seldom novel.
“It’s not ‘destructive,’ it’s purifying,” Phoenix answers.
“Tell that to whatever’s being purified,” counters Dragon.

The ball draws to a close, and the archetypes get ready for the final event. It’s not a traditional activity, having only gained popularity in the last hundred years or so, but by now no one wants to be left out. There’s a flurry of movement as archetypes everywhere change their shape and adjust their clothes over the new, smaller bodies.

“This whole thing is so ridiculous,” sighs Fairy as she joins the line for the portal that will transport the group away from the ball.
“I didn’t hear you complaining when we found the house that was passing out full-sized Milky Ways last year,” Kraken says, poking her shoulder. The newly clumsy, child-sized feet of the archetypes around her keep stepping on her costume’s tentacles.

The portal leads to a quiet suburb, dotted with children and their parents going door-to-door. It’s dark enough that no one notices the archetypes stepping out of the portal and out onto the sidewalk, where they cluster into groups of extraordinarily well-dressed trick-or-treaters. A handful of archetypes, including Dragon and Phoenix, have retained their adult human forms, to provide what looks like proper supervision. They’ve learned it’s better if no one asks too many questions about the group.

Kraken is the first to ring the doorbell. “Trick or treat!” she says, directing what she hopes is a smile filled with child-like wonder at the woman who opens the door and holding out a rather large bag.

Now, I have an important question for you all. I understand the archetypes will abide by your decision, so think carefully…

I hope you’ve enjoyed this October’s visit to the mythic ball! I’m very proud of the five outfits I’ve done for this series. I don’t know what I’ll do next week, but it will likely not be as complex as this series has been. In the meantime, you can download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for sneak previews, paperdoll thoughts and gorgeous clothes from India. If you enjoy my work, I’d also appreciate your support through Patreon.


The Mythic Ball, Part 1: Dragon’s Blue, Black and Gold Masquerade Gown with Flame Underskirt

A black velvet masquerade gown with a square neckline, long sleeves and a large, bell-shaped skirt. At the neckline is a gold band in a stylized flame pattern, with a large fire opal surrounded by rhinestones set in the middle. The sleeves have blue ruffles at the shoulders and at the wrists, with iridescent blue-green highlights and shades of purple in the shaded areas. There's a bit of golden lace above each ruffle. A pattern of golden scrolls runs down the length of the sleeve. The bodice has a long, triangle-shaped area from the neckline to the waist patterned with shiny blue and purple dragon scales and bordered with delicate gold lace. At the waist is a gold band with a stylized flame pattern, set with three fire opals surrounded by rhinestones. The overskirt is open at the front and edged with a blue iridescent ruffle and golden lace. A golden pattern of a stylized dragon breathing flames is on the edge of the skirt. The underskirt appears to be made of fire. There's a light blue tail curling over the edge of the skirt and light blue wings at the shoulders, tipped with golden horns, and there's a small black velvet mask decorated with golden scrolls.Every year on Halloween, a certain kind of idea or story takes form, gets dressed up and throws a great party, called the mythic ball. These ideas prefer to be called “archetypes” (and you use the term “monster” at your own peril). For example, Dragon here isn’t a particular dragon; she didn’t make Saint George a legend, she’s never guarded the vaults in Gringotts and she doesn’t make a habit of burninating anything. Rather, she exists as the idea of a dragon, a force created by human culture and called upon when someone needs something large, reptilian and powerful for a particular creation.

It’s the night of the mythic ball; Dragon is holding court in her glorious dress. She was the queen of the monsters’ ball last year; those rare times she doesn’t win, she’s quite gracious about it, knowing as she does that the title will pass back to her sooner rather than later. Certain parties are known to hum “Puff, the Magic Dragon” behind her back, and there was a great fuss last year when Kraken made a snippy remark about her archetype being based on majestic giant squids and Dragon’s being based on cute little frill-necked lizards.

“I suppose you’re all just as popular as ever?” Dragon asks the group of archetypes surrounding her. She’s trying, without success, to keep from looking smug. Her courteous nature doesn’t allow her to directly bring up her own triumphs, but should someone happen to return the question to her, she would bring up how very pleased she was by that handsome and very popular young man voicing one of her newer representations, and how she had actually figured in several very popular cultural works lately. As a matter of fact, these days representing her archetype could be said to constitute its own industry. Not that she had calculated the salary of all the CG renderers, motion capture specialists, character designers and fantasy artists and authors who made up her most devoted fanbase, but she was sure it would be a most pleasing number. They feed their families and expand their portfolios thanks to the world’s desire for her; she grows as if nourished not by a hoard of gold but by a wealth of stories and artistic works.

Incidentally, there’s a second dragon archetype enjoying the party; this one is older than she is, and, she knows, more powerful. How much of her desire to be the center of this event stems from her jealousy, I can’t say.

Happy October, a month which you may know I like to celebrate as the most important time of the paperdoll year since it includes Halloween, a holiday that just begs for fanciful costumes. Those of you who have been reading for a while may remember this dragon-themed masquerade gown from 2010, and the promise of similar dresses to come. It never happened, because I finished that dress — still one of my favorites — and realized I’d never top it in time. (I think that’s also when I first noticed my wrists having problems.) Well, now that I’m doing digital coloring and shooting for one dress a week, it’s time to revisit the mythic ball…

Who will we meet next? The contentious Kraken mentioned in this installment, perhaps? Or another of the many archetypes attending the ball? Come back next week to find out! In the meantime, don’t forget that you can now download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for sneak previews, paperdoll thoughts and fun reference images of dresses. If you enjoy my work, I’d also appreciate your support through Patreon.