Otohime’s Coral and Blue Undersea Gown from the Japanese Fairy Tale Urashima Tarō‎

A blue gown with a stylized wave pattern in a darker shade of blue. There is a vest and overskirt with uneven, coral-like edges in shades of orange and coral with a golden scaly pattern all over it. The vest forms a large V over the top and is held in place by a wide belt in an aqua and teal wave pattern with gold accents. There is a thin dark blue ribbon tied around the belt. It is held in place with a brooch made of polished green and blue abalone, and the two ends of the ribbon extend almost to the floor. Underneath the belt is a short overskirt in a semi-transparent white fabric with a subtle shimmer. The collar is formed by several overlapping robes in shades of blue, dark where it is in contact with the vest and progressively lighter until it reaches the neck. The sleeves are wide and bell-shaped, and at the shoulders there is another layer of the shimmery semi-transparent white fabric. There is a wide white ribbon that floats over the dress in a large circle and slips under the arms, its edges curling around the skirt.I’m sorry to have made you wait for this one! I just had some kind of block about it, but now it is done and I can go on to something else. This is my version of a dress worn by Otohime, who is a figure from a famous Japanese folk tale, Urashima Tarō‎ (浦島太郎). In the story, the young fisherman Urashima Tarō saves a turtle from some kids who are tormenting it, and as a reward, he is brought to the undersea palace of the Dragon God and meets his daughter, Otohime (乙姫), who was that turtle that he rescued. He stays there for a few days, but soon wishes to return home. Before he does, Otohime gives him a box, warning him not to open it. When he gets back, he finds that everyone he knew is long dead and his village has greatly changed. He opens the box, but in it was his old age, and he turns to dust and blows away. Some versions have happier endings, like this illustrated retelling. If you’re studying Japanese, give this version a shot.

Urashima Tarō‎ is a story that pretty much every Japanese person would know, and Otohime is a famous figure. As it’s a very old story, the way she is usually depicted is in a gown like this (with obvious Chinese influence) and not usually a Japanese outfit. As it’s a famous fairytale, though, the depiction varies with the artist.

Thank you for all of your fun entries in my contest! I really just need a post to enter someone in the drawing, but it’s more fun for me to read about whose costumes reign supreme. (The cast of Downton Abbey would triumph over the cast of the Titanic, according to my readers.) The winner, although I hate to admit it because he was talking about his plans for what he’d do if he won the other day and I know what I’m in for, is my husband Brian.

Come back next week to see what ridiculous design Brian will choose for my 1912 gown, and for a new poll! Follow me on Facebook, Twitter and Pinterest for site updates, complaints about Facebook and gowns with interesting details. If you enjoy my work, I’d also appreciate your support through Patreon.


Red and Green Medieval Gown with Oak, Rose and Violet Embroidery and Fur Trim

A gown with a red overdress and green underskirts. The overdress has a scoop neck trimmed with brown fur, and it has sleeves that are fitted to the elbow, trimmed at the elbow with brown fur, then fan out in a wide bell shape, with the edge of the sleeve very long at the wrist. At the edge of the sleeve is a stripe of golden ribbon patterned with scrolls. The red fabric is a shiny brocade with a pattern of oak leaves, scrolls and roses. Down the front of the dress is a stripe of embroidery over an ivory base. The embroidery shows red roses, purple violets, green oak leaves and scrolls, and the flowers are trimmed with small pearls. The embroidery is bordered with stripes of golden ribbon patterned with scrolls. The front of the overdress is split and open at the waist, curving down and ending at the knees with the front of the underskirts entirely visible. The hem of the overdress is trimmed with brown fur. There is a wide golden belt in a pattern of large, overlapping loops that falls at the hips. Set in the front of the belt is a large, smooth purple gemstone. The underskirts, which fall to the floor, are in two layers. One layer is a bright grass green in a shiny brocade patterned with oak leaves, scrolls and roses. It is open at the front and split, showing the second underskirt underneath. It is bordered with stripes of gold ribbon patterned with scrolls. The underskirt is sea green and patterned with golden curling vines.One quick thing before I get into talking about the new dress: I’ve signed up with Patreon, a service that helps people become patrons of the art and media they like. If you would like to support me and my work, please take a look at it!

This gown is the result of my most recent contest, which consisted of two parts. I held it on Facebook, and in part 1, I asked my followers to choose between three categories: evening gowns, medieval dresses and mermaid tails. Medieval dresses won, so I spent some time collecting images of medieval dresses I liked on Pinterest and making some sketches, leading to this black and white sketch and contest part #2. (You’ll note there’s no necklace on the finished dress — I made one, then decided it was just gilding the lily.) In this stage of the contest, people just had to like the post to enter. Eleven people did, and the first winner, chosen by a random number generator, was Nikki Paulsen, but she never got back to me by the following Sunday, and so unfortunately I needed to pick someone else, too. (Nikki, if you read this, I’ll still recolor it for you any time! Just e-mail me or leave a comment here or on Facebook.) The second winner was Hannah Bristol, and here was her request:

The style of the dress makes it seem like a very foresty, homey type of gown. I think I’d like to see the overcoat in earthy tones of red with gold accents, maybe with a brownish-gray fur trim, and the underskirts in shades of green.

I’m not sure if I exactly hit “homey” and “foresty” notes with all of the embroidery, satin and gold trim, but the results are lovely, so maybe it’s something Maid Marian could wear when she needs to get dressed up. Hannah, I hope you like how it turned out! I really enjoy trying to fulfill someone else’s color scheme, because I feel like I always learn something I wouldn’t have when I color it by myself. I posted a series of pictures showing the steps in making this dress on my Tumblr, if anyone is interested in that.

My intention is to hold these contests once a month and spread them among my various social media venues, the blog and the mailing list. I haven’t decided where the next one will show up, but it will start on the 13th.

Next time there will be a special Valentine’s Day present for all of my beloved readers, so come back next Friday! Don’t forget to follow me on Facebook for updates and fun things, Twitter for my thoughts and sneak previews, or Pinterest for lovely dresses and jewelry. You can also sign up for my mailing list at the top of this page!


Mouse’s Marriage (ネズミの嫁入り) and my New Year’s resolution

Click for larger version (PNG):page 1, page 2; click for PDF version: page 1, page 2. Click here for the list of dolls.

I drew this for my mom for Christmas, and she gave me permission to post it. I hope you all like it as much as she did! I’m still learning the ins and outs of kimono drawing, so please forgive any inaccuracies. The original Japanese story can be read here: ネズミの嫁入り (Mouse’s Marriage). I’ve been in contact with the maintainer of that site, actually, and she’s given me permission to translate the other stories there, so I plan to do a lot of those in 2011.

Speaking of 2011… Sometimes, people will e-mail me and ask how to draw dolls, and the advice I give is essentially just to keep practicing, using resources like SenshiStock and library books on figure drawing. That makes me feel like a fraud, because I myself am lousy at drawing humans, and it really shows in my dolls. (I’m happy with Ivy for now, but drawing her took days.) I look at the work of some of my internet buddies like Lys, who does this great daily fashion journal and Boots, who draws dolls in really natural, comfortable poses, and I think, wow, if I could draw dynamic poses like that, or if I could draw great faces like that, or if my hands had that much expression… But then, to borrow a phrase from Jane Austen, I have always supposed it to be my own fault—because I will not take the trouble of practicing.

I don’t have a great track record with New Year’s resolutions, and I believe last year I had none at all (which, really, I rather enjoyed). But I’m going to try one this year. I resolve to spend 20 minutes each day – or, perhaps, each day I can, let us not raise the bar too high now – sketching people. I know this is one I can do, because actually I have already been doing it off and on for a few weeks now.

Two questions for you all. First, would you like me to post the results of my progress? It might help keep me on the straight and narrow to just scan my sketches and link to them at the end of posts, but I can’t imagine it would be very interesting. (Plus, the idea is slightly frightening – I do these sketches of hands that look more like dead sea anemones, and my pride tells me “better hide those, Liana.”) Second, since I’ll just be using freely available reference and stock images and possibly a book or two from the library, would anyone like to adopt my resolution and join me? I was thinking, if there’s interest from a couple other people, we might set up some sort of blog or forum, pick out the day’s pose, share our sketches and keep each other motivated. It’s just a thought, but if you’re interested, whatever your skill level is, e-mail me or post a comment.

My next post will be on the 4th. Happy New Year!


The Twelve Dancing Princesses (A Christmas Tale), Day Six: Holly’s White Gown with Gerbera Daisies and Pink Embroidery

Click for larger version; click for the list of dolls.

The altercation with the dwarf made Ced lose track of the princesses, and he started running again, passing the dwarves and chattering mermaids, out of the forest and right into a group of people and other creatures. There were fences on each side, helping to create a neat line that led to a boxy, multi-story building. Ced couldn’t see the princesses, but he doubted that they were anywhere but in this line with everyone else, so he shrugged and got in line himself. There was a giantess in front of him who was easily twice as tall as he was, and a thin fairy hovering behind. This ball must be amazing, thought Ced, picturing the two of them waltzing together.

“Are you here for the ball?” he asked the fairy behind him, a tall blue figure with unnerving eyes.
“Is that why everyone’s in line?” the fairy answered, tucking his knees under his chin and somersaulting in midair. “I don’t know what’s going on. One minute I’m wandering through the woods, bored as can be, I check out this strange blue flower, turns out there’s a hidden door in the tree next to it. I go through and…” He looked around and shrugged. “Did you find a flower too?”
“No, a book,” Ged answered.
The giantess in front of him turned and beamed at them. “You two must be new! What a delightful time you’re going to have.”
“Excuse me, but where are we? Is there a ball in that building?” Ced asked hopefully, tilting his head straight up to catch her eye.
“Oh, I’m not going to ruin the surprise,” she said, smiling and patting him on the shoulder. She probably felt she was patting him lightly and reassuringly — to Ced it felt like the time his master threw a pair of boots at him. He wondered if she meant that the surprise was good or bad, and if giants had quite the same notions of “good surprises” that humans did.

He couldn’t see anything over or around the giantess in front of him, and he despaired of seeing the princesses again, but as the way on all sides was blocked, there was nothing to do but shuffle along into the building along with everyone else and wait. Finally, the giantess moved along and Ced found himself at the head of the line, facing an elf with a pointy white beard and a business-like air. Ced smiled weakly.
“What do y’do?” the elf said, looking Ced up and down.
“Fine, and you?” said Ced automatically.
“Not how, what! What do you do?” repeated the elf.
“I, er…” ‘Spy’ was the first thing that came to Ced, but he didn’t want to say that. “I’m apprenticed to a cobbler. I make shoes.”
“Shoes?” the elf said, shuffling his papers and studying a checklist. “We’ve got a goodly supply of shoes this year already… Still, if you can work a needle and thread, we can find a place for you. Say! Aelinora,” he called, and a tall elf girl poked her head out from the door just behind him. “Need another pair of hands in there?”
“Yes, please!” She waved Ced over and guided him into the room she had come from, a well-lit room with a low ceiling and dozens of humans, fairies and so on. She gestured to a chair next to a huge pile of stuffed animals — teddy bears, cats, dogs, fishes, dragons, snakes, and quite a few animals Ced had never seen in his life. The elf girl took a threaded needle and a squirrel off of the pile and, kneeling besides the chair, stitched a black button eye on one side of its head. “They’re almost done, you see, they just need eyes. See how you do it?”
Ced saw quite easily how to do it, but why to do it was another question altogether. But he didn’t even have time to formulate the question before needle and squirrel were thrust into his hands and Aelinora was at the other end of the room. Shrugging, he attached the other eye and threw it into a nearby box marked “Finished Toys.”

He had hoped to see demons and ballrooms, but instead he found himself in a stuffed animal assembly line. The Minister of Sorcery, he suspected, would be nonplussed. A pair of dwarves next to him (not the same ones as before, thankfully) were stuffing the toys, and on down the line fantastic beings were cutting, stitching and putting together a whole fuzzy menagerie. He couldn’t see clearly all the way to the end of the room, but he was fairly sure that the orange slippers he saw at the end of the line were the ones he had just delivered to Princess Natalie. If at least one princess was here, that was a pretty good sign that they weren’t off waltzing with demons.

This dress belongs to twenty-one year old Holly, Pieris’ twin sister. While Pieris prefers the sword, Holly excels in hand-to-hand combat, and is more focused and intense than her happy-go-lucky, curious sister. She has more patience, too, and is often absorbed in books describing strategy and tactics used in great battles. Pieris gets along with the other princesses reasonably well, but Holly generally disdains most of them unless they have some use to her. Her favorite color is also white, but she loves daisies. She has the lowest tolerance for frills and puffs.