1965 Leopard Print Bikini from How To Stuff A Wild Bikini

Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

Does it look like I’m phoning it in today? Technically I phoned it in earlier this week and then couldn’t upload the finished drawing, got distracted and whoops it’s Thursday already? Sorry about that.

Anyways, How To Stuff A Wild Bikini is one of those 1960s “beach party” movies, and for my money it’s got to be one of the stupidest pieces of entertainment I’ve ever encountered, but since I didn’t pay for it that doesn’t mean much. I watched it on Hulu the other day, for some reason… I think I must have been bored, and the name floated into my mind from when I was on a Buster Keaton kick a while back, because he plays the shaman. Anyways, if you can turn your brain off entirely, it’s reasonably fun and silly, the Bewitched shout-out is hilarious and I liked the costumes (I had no idea until I was reading later that the lead actress was actually pregnant at the time – nice disguising work!) This is the wild bikini of the title – that is to say, it actually spends some time walking around on its own – plus headband. I am not quite sure it would stay on the paperdoll, so good luck with that.

The exact number of colored pencils I ordered was 69, so that makes Melanie Ann’s guess of 72 the closest. Melanie Ann, please post in the comments how you’d like me to color the princess gown and I’ll post it soon!


1922 Pink Dress with Burgundy Trim and Lace Panels Inspired by the Adventures of Sally by P.G. Wodehouse

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I’m afraid my dolls generally aren’t cut out for the straight lines that make 1920s fashion look so good, but I did a 1922 dress anyways because I just finished listening to The Adventures of Sally by P.G. Wodehouse, read by Kara Shallenberg. Romantic comedy isn’t so much my thing, but it was amusing (and I often listen to audiobooks while doing things like washing dishes, so amusing beats edifying in terms of audiobook content). And of course Wodehouse is Wodehouse, so it was a fun little portrait of the character of everyone involved. Sally, who of course is the main character, comes into an inheritance early on, so I imagine she went out and bought a couple new dresses, and because everyone spends the rest of the book falling madly in love with her I suppose that they were properly cute.

I really like the idea of doing four main themes for October costumes – give me suggestions and I’ll put up a poll closer to October. If you don’t know what I’m talking about, do see the entry for September 4th.

As for my colored pencil guessing game, no one has hit on the exact number yet…


1944 White Apron with Yellow Trim and Pink and Yellow Flower Pattern on Pink Striped Dress

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Janel pointed me to the Commercial Pattern Archive the other day, in the last days of a one-week free trial, and until the gates were closed I spent hours saving pattern images to my computer and posting excited tweets about the experience. Just like the name says, it’s an attempt to preserve patterns, but the exciting thing for me is just how nicely it’s organized. You see, I’m always listening to audiobooks, figuring out when the story is set and then looking frantically for clothes made not in that time period, not in that decade but in that year. This usually involves a few Google Image searches, a trip through my bookmarks (stored as regular bookmarks, on del.icio.us and in random drafts in my gmail account), and long, windy trails of clicking and then forgetting the location of this or that image I meant to save. This is all my fault, because I’m not organized, and so that’s what makes this site so nice. I say “My book is set in 1921,” click and feast my eyes. Now, is it nice enough that I’d pay $120 a year for it? No, I’m afraid not. Happily, Erin from A Dress A Day has set up a COPA co-op, and I’m in as soon as I know where to send the check.

In the meantime, I sure did save some pretty patterns. This apron is from 1944, and I just adore it, especially that entirely useless little ruffly bit at the hem. The dress underneath is just a basic dress, just the same look and shape as one of the ones on the pattern front, so it should be reasonably correct for the 1940s. Also of note is my late 1800s illustration collection – some day soon when I am alert and not busy and have good lighting I want to do a crazy, flowered, ruffly ballgown or two from that era.


Recession Themed Robe à la Anglais in White and Green with Pouf à la Bailout

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So, my husband and I live in Michigan, more specifically in Ann Arbor, one of the cities surrounding Detroit. On the good side, it’s almost spring and there’s nothing like the University of Michigan campus when everything is blooming and the students come out of hiding to play Frisbee by the Diag. On the bad side, the unemployment rate is 11% and our poor state is national shorthand for a grim future. Now, if I was a more diligent, self-promoting kind of artist, instead of the flighty, self-doubting, unambitious dabbler that I am, I would be taking advantage of the sad state of American finances, pitching books, putting out press releases, writing up guest posts for other blogs and who knows what else. Why’s this? Because paper dolls are the perfect toy for the modern recession.

Think of it: Iris and Sylvia can wear anything I draw, so it’s not like a regular old book with a limited number of outfits, and you can print this crazy gown for just as much money as it takes to print this subtle shift. Barbie can’t seamlessly transform into a mermaid or a ninja near as well as my girls do, and I doubt her people would let her dress up in anything too creepy. And you know what else? No Barbie doll, no other paper doll out there, no one in the world period, has a terrifying cross between one of Marie Antoinette’s court gowns and the symbols of American financial catastrophe. Yes, this may be a slightly strange toy, but that’s OK: for those that don’t yet see the tumbling Dow in the skirt, print out this pretty princess instead. We who see the humor of the pink slip petticoat and pouf à la bailout will play princesses of a more desperate time and space. Pass the cake.

Yes, I’m reading Queen of Fashion: What Marie Antoinette Wore To The Revolution and loving it. (thanks RLC for the recommendation!) See, I’ve always thought of 1800s fashions as beautiful and elegant (and OK, maybe at worst endearingly funny-looking) but I never could get into 1700s fashions, with the goofy hair and panniers and all. But this bias is probably because so many classic books I’ve read are set in the 1800s: the Austen books, of course, but also Vanity Fair, Little Women, Sherlock Holmes, the Anne series, Gone With The Wind, Edith Wharton novels, Jane Eyre, Anna Karenina — anyways, I can go on and on, but the point is that reading / watching movies based on / paperdolling these books gave me a vague idea of the 1800s in European / American women’s costume. However, I don’t have a similar basis for the 18th century. The only ones I can think of offhand are the Three Musketeers, A Tale of Two Cities and the Scarlet Pimpernel series, and Evelina which I just finished. Somehow, looking at all the robes a la polonaise for Evelina flipped a switch somewhere, and now I’m intrigued by that same goofy hair and panniers. I’d like to get more into fiction from the 1700s or set in the 1700s. Can anyone recommend anything for me? I’d love to have some 18th century audiobooks from Librivox, but I’ll also go the old fashioned way.

The hairpiece will sort of fit both dolls, but there’s one part of Iris’ hair that you would have to bend back. My next series of dolls will be bald.