Inara Serra’s Red Satin Gown with Gold Girdle from The Train Job episode of Firefly

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As I noted earlier, Brian and I have been watching Firefly (and we just finished the full series plus the movie, so spoil away if you feel the need). I enjoyed it a lot, although I felt that some of the later episodes were rather weak and that the first five minutes of the movie changed a lot of my perception of the whole first season, which is a kind of jarring way to start out a movie. Brian had to pause while I was going “Wait… what?” In general I loved the dialogue and the characters, but the thing that really hooked me was Inara Serra’s costumes. Inara is a Companion, a sort of futuristic geisha or courtesan, and her clothes are amazing. She wears mostly warm colors (lots of reds and golds) and sumptuous fabrics and has this great style, sort of a mashup of Asian and Indian influences with a big dose of 1930s starlet. I want to paperdoll just about everything she wears! Look at this page with her outfits. Brian and I watched the Dollhouse pilot and weren’t all that impressed, but even if the next few episodes aren’t all that great I’ll probably keep watching just because Shawna Trpcic, the same costume designer that did Firefly, worked on Dollhouse as well. (So far most of the costumes are centered around yoga pants, but that tiny white dress Echo wore to the guy’s birthday party was smashing, even if she probably had to tape it to her thighs.)

I’m afraid the banding looks horrible on this one, and the color isn’t all that great either — the real thing is really pretty, if I do say so myself, and the scanned version is a pale imitation. I’ve been putting off the search for a new scanner, but it looks like I’d better get started. If anyone has any suggestions, I’d appreciate them!


Mermaid Monday #11: White Mermaid Ball Gown with Embroidered Choli Top and Aquamarine Overskirt

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Mermaids are not universally welcome at human balls. In most kingdoms near the sea their presence is unremarkable, but the further inland one goes the less mermaids visit, and the appearance of one at a ball can be a serious disruption. It’s not surprising that they cause annoyance and envy among the human women and prompt duels and inconvenient attachments among the human men, but besides that they are difficult to feed, not always aware of proper deportment and their air of superiority and condescension is often a little hard to take for humans of either sex. One insecure queen went so far as to ban them from all events given during her reign. (Mermaids mostly stay out of human politics, but stung by this, the equally insecure empress of the nearest mermaid empire ensured that said reign would be a short one by secretly inciting treason and eventually civil war in that kingdom. The loss of life and damage to the kingdom was incalculable, but the mermaids got their dances back.)

A mermaid choosing a gown for a ball thrown by humans generally wants to outdo every other woman there, human and mermaid alike, because the most common fault among them is vanity, followed closely by pride. Some of them do it by going with human fashions, thereby beating the human women at their own game, and some prefer to go with gowns designed for mermaids, which tend to evoke the sea, be less formal and hide the legs. (Most mermaids are self-conscious about having legs, as the vast majority of cheap mystics really don’t have the skill or knowledge of anatomy to form perfect ones for very long, so mermaid skirts are inevitably long and loose. The mermaid wearing a miniskirt is the one who gave up her firstborn.) This dress is definitely a mermaid gown; the human women at the ball where this will be worn will all be wearing more elaborate gowns, closer to what I think of as stereotypical princess gowns: tight bodices, poofy skirts. (Although some human women near the sea, where mermaids are more likely to show up to balls, have taken to wearing things mermaids can’t: shorter dresses, gowns slit up the side, tight skirts.) The choli-style top, the lotus and wave pattern, the fluttery aquamarine overskirt all make this gown arresting and otherworldly: just the thing for toying with the hearts of humans, leaving them crushed like a shellfish dropped onto a rock by a seagull. Later the human women will gossip about how revealing and tacky the top was, how unfashionable the whole savage getup was compared to their gowns, but the target of their ire will be already safely back under the sea with new stories to tell.


Mermaid Monday #10: Mermaid Mystic with Purple and Gold Top and Skirt with Orange Tail

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It’s been such a long time since Mermaid Monday, how very cruel of me… in penance, I’ll reveal some more of their world.

I often think about how, in my paperdollverse, the mermaids interact with the humans, but that is because I myself happen to be human and have that particular bias. Frankly, the majority of mermaids don’t give it as much thought as I do. I’ve come to think of mermaid excursions to the human world as something like American college kids studying abroad. Not everyone is going to be interested in the first place, and some might like to but have other priorities under the seas. Of the ones who do, most might spend only a season of their life exploring the new culture, some might enter into it to some extent but always consider themselves mermaids first and foremost, and a minority, like my bitter crimson mermaid, become permanent expats. Generally, mermaids consider themselves slightly superior to humans, and for the most part there aren’t oodles of mermaids longing to escape to land and legs.

My mom wondered how the switch between tails and legs is actually affected. There are mermaid mystics, with varying amounts of experience and power, who can control such things for a price. Surely we’re all now thinking of Ariel sacrificing her voice? It’s not often so serious; curious young mermaids attending their first human balls usually do so on wobbly legs not shaped quite right (which is why most mermaids favor long ballgowns), thanks to a friend’s crazy old grandmother who will perform the necessary magic for a string of pearls. (The accompanying rite of passage is for excitable mermaids to forget how long the magic lasts and transform back right there on the dance floor. If the girl is lucky, her gallant dance partner will help her back into the water; if she’s not so lucky a couple of already overworked servants will do it, talking maliciously about seared mermaid fillets with lemon sauce over a bed of wild rice.) The longer the magic lasts, the more skillfully the legs are formed and the more control the mermaid has over switching back and forth, the more it will cost. At a certain point, a desperate mermaid switches from grandmothers paid off with pearls to dangerous creatures who demand voices, lifespans, firstborn children and so on. Today’s mermaid is one of these mystics, exceptionally long-lived because she’s always happy to trade legs or looks and so on for a portion of the petitioner’s lifespan. (She isn’t at all ashamed about the price she asks: the study of mermaid mysticism is dangerous, and she sees it as a fair deal given the years she’s devoted to her craft and the scarcity of competitors.) In the face of her present problems, your average impetuous young mermaid couldn’t care less about five or ten years that come off the end of her life anyways. Between the sharks, nets and mystics offering one’s heart’s desire with a price to be paid much later, it is only very smart mermaids who live to be old.


Black and Blue Heavens Masquerade Gown with Jupiter-Inspired Underskirt and Gold Curls

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So, I hope you all out there are having good luck with your New Years resolutions, because I, oh, TOTALLY failed mine already. (“Draw more,” of course.) Yeah, sad, I know. I have no excuse, and I offer a fancy dress in penance.

I designed this one when drawing Diana’s masquerade gown, but I thought it would be a poor spy who would wear something so dramatic, so I drew the blue gown instead. But I did like the design, and so it didn’t get tossed with the rest of my sketches.