Doris Day’s White Evening Gown from Pillow Talk

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I got an e-mail from one of my readers, Kim, a while back, talking about the designs of Irene Lentz, a costume designer who worked on some Doris Day movies that she recommended to me, one of which was Pillow Talk. I have to do further viewing before I can be familiar with her work, though — it looks like Pillow Talk was costumed by Jean Louis (who, credited for “gowns,” probably designed this costume) and Bill Thomas. Anyways, whoever designed them, I love Doris Day’s outfits in the movie. Her character is an interior designer, and she always looks fabulous: the movie was released in 1959, and her clothes are right there between smart 1950s femininity and 1960s clean style. The movie itself was something I had to kind of turn off the overly serious and feminist parts of my brain to enjoy: I know it’s supposed to be a light-hearted sex comedy, and the way the guy manipulated the girl (and her revenge) was really quite amusing. Still, when viewers are supposed to take the baby at the end as proof that our hero and heroine achieved ‘happily ever after’, it signified to me “she’s got three, four years tops before he gets bored of her.” Yeah, call me a cynic but I can’t watch a movie like that without scripting out a few months worth of premarital counseling for the dysfunctional couple in my head. Doesn’t mean I don’t have the other Day/Hudson movies on reserve at the library…


Recession Themed Robe à la Anglais in White and Green with Pouf à la Bailout

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So, my husband and I live in Michigan, more specifically in Ann Arbor, one of the cities surrounding Detroit. On the good side, it’s almost spring and there’s nothing like the University of Michigan campus when everything is blooming and the students come out of hiding to play Frisbee by the Diag. On the bad side, the unemployment rate is 11% and our poor state is national shorthand for a grim future. Now, if I was a more diligent, self-promoting kind of artist, instead of the flighty, self-doubting, unambitious dabbler that I am, I would be taking advantage of the sad state of American finances, pitching books, putting out press releases, writing up guest posts for other blogs and who knows what else. Why’s this? Because paper dolls are the perfect toy for the modern recession.

Think of it: Iris and Sylvia can wear anything I draw, so it’s not like a regular old book with a limited number of outfits, and you can print this crazy gown for just as much money as it takes to print this subtle shift. Barbie can’t seamlessly transform into a mermaid or a ninja near as well as my girls do, and I doubt her people would let her dress up in anything too creepy. And you know what else? No Barbie doll, no other paper doll out there, no one in the world period, has a terrifying cross between one of Marie Antoinette’s court gowns and the symbols of American financial catastrophe. Yes, this may be a slightly strange toy, but that’s OK: for those that don’t yet see the tumbling Dow in the skirt, print out this pretty princess instead. We who see the humor of the pink slip petticoat and pouf à la bailout will play princesses of a more desperate time and space. Pass the cake.

Yes, I’m reading Queen of Fashion: What Marie Antoinette Wore To The Revolution and loving it. (thanks RLC for the recommendation!) See, I’ve always thought of 1800s fashions as beautiful and elegant (and OK, maybe at worst endearingly funny-looking) but I never could get into 1700s fashions, with the goofy hair and panniers and all. But this bias is probably because so many classic books I’ve read are set in the 1800s: the Austen books, of course, but also Vanity Fair, Little Women, Sherlock Holmes, the Anne series, Gone With The Wind, Edith Wharton novels, Jane Eyre, Anna Karenina — anyways, I can go on and on, but the point is that reading / watching movies based on / paperdolling these books gave me a vague idea of the 1800s in European / American women’s costume. However, I don’t have a similar basis for the 18th century. The only ones I can think of offhand are the Three Musketeers, A Tale of Two Cities and the Scarlet Pimpernel series, and Evelina which I just finished. Somehow, looking at all the robes a la polonaise for Evelina flipped a switch somewhere, and now I’m intrigued by that same goofy hair and panniers. I’d like to get more into fiction from the 1700s or set in the 1700s. Can anyone recommend anything for me? I’d love to have some 18th century audiobooks from Librivox, but I’ll also go the old fashioned way.

The hairpiece will sort of fit both dolls, but there’s one part of Iris’ hair that you would have to bend back. My next series of dolls will be bald.


Six’s Red Dress from the Battlestar Galactica Miniseries

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Actually, I’m not a huge Battlestar Galactica fan, but my husband goes nuts over it. We watched the miniseries together, and I was glad I saw it, but there’s only so much bleakness I can take in my entertainment. Ever since then, we have this pattern where I look at his laptop screen or the TV and ask “What’s going on now?” or “Have they all killed each other yet?” or “Has that Gaius got what’s coming to him yet?” and he will explain it to me, and about half of it will go over my head and the rest of it allows me to form an understanding of the fragments I watch. I follow along enough to know what’s going on, but not quite enough to care, I’m afraid. But I do love this dress that Six wears, especially showcased in this takeoff of the Last Supper.

Brian wants me to do the Viper pilot uniform (the one on the left), and I will by and by to please him, but I’m feeling lazy tonight so just a simple red dress. If you are cutting this out, I put hopeful little tabs on the dress straps, but I think I would recommend you remove them altogether and treat the dress as strapless.


Ginger Rogers’ White Dress from Never Gonna Dance from Swing Time, take two

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So I drew a white dress Ginger Rogers wears at the end of Swing Time some time ago, and I never liked how it came out — I drew it a couple of days after watching the movie without much reference, it wasn’t well done to start with and my scanner washed it out. So it’s one of the dresses I always told myself I’d redraw, and then it got to be the number one image on a Google image search for “ginger rogers swing time” and in the second row for “swing time” and people started e-mailing me about how to reproduce it. How embarrassing! The skirt on the old dress didn’t look like it could hardly move, and it was so pale it was like not even a dress at all. Some nights, if the dress takes more than an hour it just isn’t happening, and this must have been one of those nights… Finally, I redrew it tonight, using this video of Never Gonna Dance. You can still see the old drawing, and I’ve got a link to it at the other blog post too, but I like this one much better. Thanks to a reader recommendation I’ve got another Ginger Rogers and Fred Astaire movie waiting for me to watch it, Follow the Fleet, so I’m looking forwards to that!