Inara Serra’s Red Satin Gown with Gold Girdle from The Train Job episode of Firefly

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As I noted earlier, Brian and I have been watching Firefly (and we just finished the full series plus the movie, so spoil away if you feel the need). I enjoyed it a lot, although I felt that some of the later episodes were rather weak and that the first five minutes of the movie changed a lot of my perception of the whole first season, which is a kind of jarring way to start out a movie. Brian had to pause while I was going “Wait… what?” In general I loved the dialogue and the characters, but the thing that really hooked me was Inara Serra’s costumes. Inara is a Companion, a sort of futuristic geisha or courtesan, and her clothes are amazing. She wears mostly warm colors (lots of reds and golds) and sumptuous fabrics and has this great style, sort of a mashup of Asian and Indian influences with a big dose of 1930s starlet. I want to paperdoll just about everything she wears! Look at this page with her outfits. Brian and I watched the Dollhouse pilot and weren’t all that impressed, but even if the next few episodes aren’t all that great I’ll probably keep watching just because Shawna Trpcic, the same costume designer that did Firefly, worked on Dollhouse as well. (So far most of the costumes are centered around yoga pants, but that tiny white dress Echo wore to the guy’s birthday party was smashing, even if she probably had to tape it to her thighs.)

I’m afraid the banding looks horrible on this one, and the color isn’t all that great either — the real thing is really pretty, if I do say so myself, and the scanned version is a pale imitation. I’ve been putting off the search for a new scanner, but it looks like I’d better get started. If anyone has any suggestions, I’d appreciate them!


The Twelve Dancing Princesses (A Christmas Tale), Day 3: Daphne’s Purple Gown with Light Purple and Silver Accents and Moonflowers

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Now, said cobbler’s assistant was actually a wise choice on the part of the Minister of Sorcery. The cobbler himself had encouraged his apprentice to look into a (higher-paid) position with the Sjalfer military, for there was something about his cat-like way of delivering shoes to people and staying under the radar that suggested a potential spy or an assassin. But the assistant himself, whose name was Ced (short for Cedric, but no one called him that), much preferred making things and was rather shy besides. The wordy explanation from the minister left him rather dizzy, but he was already formulating plans before he left the room.

First he visited his master to pick up the slippers that had just been made for the princesses. The cobbler presented a box of them and also a pair of royal blue shoes. “The slippers are for the princesses and those shoes are for you. Special soles, you see,” he said proudly as he turned them over and poked at them. “Wonderful things, muffle your footsteps. Like walking on little clouds, almost. I’ve been working on a pair for the Minister of Defense, but he can wait while you track those silly girls.”

After thanking the cobbler, Ced’s next destination was his mother’s room. The Minister of Sorcery had hinted that returning to the King with no answer might be fatal, and although Ced suspected that this was only one of the Minster’s dramatic flourishes, he had better make his preparations anyways. She was a seamstress, and was stitching away at some golden material as he came in, her hands flying even as he explained the situation.
“My, I can hardly blame them if they have found a way out, even if demons are behind it,” she said disapprovingly. “His Majesty keeps them on a tight leash, yes indeed. You know, I taught Gabrielle how to sew, yes I did, but that was when the Queen was alive, and after her passing those girls got locked up, it seems like. It seemed like a major breakthrough when he first let them out to decorate for Christmas a couple years back! I miss them. You know, I got something for them last year, and I never did get around to applying for an audience… Can you bring them this book from me?” She produced a handsome old book from her closet and handed it to her son. “They do love their fairy tales, those girls. I bought this off a peddler with them in mind. Don’t mention that it’s a year late, of course.”

At twilight, armed with the box, the shoes and the book, Ced hurried to the princesses’ chambers. He had been there before, but only to drop off their finished slippers; being naturally shy and wary, he liked to finish the task as quickly and unobtrusively as possible. So he had hardly ever seen them, much less talked to them, and although he knew their names he wasn’t sure he could tell them apart without looking at their shoes. His mom had taught him the basics of etiquette when dealing with royalty, but all Ced could remember of it was that you kneeled and used titles instead of names. He had developed his stealthy style partially to avoid having to remember such troublesome things.

After announcing his name and mission to the guards at the door, he stepped into the hallway. Usually he would deliver the shoes into individual closets without announcing his presence, but this time he called out “Delivery for the princesses,” and in a moment he was mobbed by twelve young women.

“What have you brought for us?” asked one eagerly.
“The cobbler has finished your slippers, and I’m here to deliver them,” he answered, opening the box and selecting a petal pink pair to pass out first.
“Those must be mine,” one cried, reaching for the shoes. “Pink’s my favorite.” I almost forgot, thought Ged with a great wave of relief, the princesses are color-coded. Juliette likes pink, so that one’s her. He next pulled out a red pair for Perdita and a gold pair for Camellia, and by and by all of the princesses were poking out their feet from under their bell-shaped skirts and admiring each others’ slippers.

This dress belongs to twenty-three year old Daphne. She isn’t as smart as Perdita or as wise as Camellia, and she’s even more passive and shy than either of them, so she often feels a little overshadowed and put-upon. She has a romantic soul and a refined aesthetic sense, and she loves to be by herself, writing poetry and drawing. She’s kind, but not overly friendly with any of the princesses except for Juliette, as the two of them have collaborated in writing songs and lyrics for several years. Her favorite color is violet, and her favorite flowers are moonflowers.


Jill’s Flowered Easter Dress and White and Green Flowered Easter Hat

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So when Jill saw my rendition of one of Min’s hats, she asked for me to do her Easter hat, a gorgeous confection (that Brian termed an “ultra-hat” — sorry) that she made to match her dress. That request has since been percolating in the back of my mind until I was reading her blog earlier and saw that she got robbed at a “Mad Hatter” contest.

Paperdolls always make a great consolation prize. In my world, anyways, where they also make good hobbies, gifts and eye candy.

If one was cutting this out, the hat would be cut underneath the brim, right underneath the broad green ribbon; on the large version I put a dotted line there. Krysti will have to tell us if it works anything like how I hope it does!


White Dressing Gown with Black Lace and Black Ribbons

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I drew this just to practice drawing lace. You see, my Anna Karenina gown is one of my favorite ever paperdoll outfits, and if Sylvia is ever to have a ballgown that she can wear beside Anna’s black lace gown with pride, I should make sure I can do lace. Sure, she has Margaret Hale’s, but I just didn’t see her as being the type of girl to wear a huge frothy concoction, and so that’s not what I drew for her. I actually forgot how I did Anna’s lace, so I kind of have to relearn it, but it should be easier to do lace well this time, because I bought a set of the Prismacolor Verithin pencils. You’ve been seeing them all over since I first got them: the gold on Ashe’s wedding dress owes a lot to the dark brown, the embroidery for the St. Patrick’s Day outfit is all Verithin, the blue details on the copper mermaid’s top are done with it as well. You wouldn’t really get intense colors with them like you do with the regular ones, but you can do details so much more easily… If I tried to do the black lace with the regular black, I’d have a black pencil about half an inch long left over, after sharpening it every half second. The only problem is that the only Verithin grey I have is warm grey 20%, and that’s too light on its own to do white lace– I need a 30%, or at least a darker one — and I don’t even know where I can buy them individually. So for today, I did black lace instead of white.

Since I couldn’t do white on white with colored ribbons quite the way I wanted it to work out (my original scheme) I wanted this dressing gown to be totally over the top and fabulous. If I was Scarlett O’Hara or Jennifer Lopez, I would buy this and swan around in it all day long. This is as close to “diva” as I really get!