Wiki Dress #2: Gold Harvest Gown with Green Peplum and Celtic Patterns

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Now, I happen to know my mom edited this revision of this dress, and therefore it had to be drawn, because my mom’s awesome. I think I ought to ask her to design me dresses more often when I’m feeling unimaginative! She’s also more dangerous with the Prismacolors than I am – she does absolutely gorgeous drawings of flowers and plants on cards, then sends them to people. She jokes that you only get to come to her funeral if you got a drawing from her. Here was her description of the dress:

A sunflower yellow bodice,green peplum with a beyond floor-length skirt done in blended colors of harvest. The hem is heavily decorated with a matching line of Celtic designs in dark blue, with golden accents.

The neckline is decorated with very small dark gold and blue accents, with tiny sparkling swarovski crystals and blue pearls in the center. The waist is decorated with a slim swirly golden pattern and small crystal beads, and the skirt is draped, cascading down to the floor.

She also has a pair of long dark green gloves that reach halfway up. The back of each hand is embroidered with harvest and Celtic designs. On her feet are soft blue satin slippers.She also has a subtle webbed crystal frill tiara (worn front-to-back)with dripping tiny blue seed pearls. Around her neck is a matching crystal and single pearl necklace.

I guess you have to imagine the satin slippers, and there wasn’t enough space on the glove for a harvest design, but I think this came out really nicely and hopefully close to what Mom was imagining. This is one where I wish I could show you all the original — the harvest colors on the skirt are a lot prettier on the real thing. It made me decidedly twitchy to finish coloring the skirt, then draw patterns all over the hem, but it worked, I think!


Magic Wiki Dress #1: Purple Gown with Black Tulle Skirt and White Shift

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Wikipedia was never as fun as my Magic Wiki Dress, at least for me anyways. I loved watching things shift from dinosaurs to masquerades back to dinosaurs, and so on. Brian was at Recent Changes Camp 09, a conference at wikis, this last week (which is what inspired the post in the first place) and he reported that Ward Cunningham, the inventor of the wiki, said at the “Creation Myths of Wiki” session that for a wiki to really work, “you have to believe that not done is better than done.” A perfectionist like me doesn’t always get that, but I feel like I did while watching the wiki get edited. I could let it go all year and see what people come up with — and I definitely want to draw some of the other outfits it produced. But to make things simple, I gave it a deadline this time, and this was the last outfit that got posted before noon on the 21st. I don’t like how the sheer purple part turned out, I forgot all about the gloves, the silver scrollwork turned into black scrollwork somewhere along the line and I took some artistic license on the shift, but I think it turned out pretty nicely! It was definitely interesting to draw…


Lady Clarisse d’Cagliostro’s Second Wedding Gown from Studio Ghibli’s Castle of Cagliostro

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So I adore the Ghibli movies, and since I also adore the original Arsène Lupin it can hardly be a surprise I love the Castle of Cagliostro, the collision of his grandson Lupin III and Hayao Miyazaki. Brian and I watched it again the other day, and it’s definitely one of my favorites, full of action and Lupin getting the better of people. Clarisse here gets two wedding dresses, and I opted for the crown of the first and the dress of the second, because I can’t pull off the thing she wears that covers all her hair unless my paperdoll fans are willing to mutilate their copies of Iris and Sylvia to make it fit.

I have a lot of movies coming up in my future, so tell me what Ghibli movies you like and I’ll paperdoll them a bit…


Mermaid Monday #11: White Mermaid Ball Gown with Embroidered Choli Top and Aquamarine Overskirt

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Mermaids are not universally welcome at human balls. In most kingdoms near the sea their presence is unremarkable, but the further inland one goes the less mermaids visit, and the appearance of one at a ball can be a serious disruption. It’s not surprising that they cause annoyance and envy among the human women and prompt duels and inconvenient attachments among the human men, but besides that they are difficult to feed, not always aware of proper deportment and their air of superiority and condescension is often a little hard to take for humans of either sex. One insecure queen went so far as to ban them from all events given during her reign. (Mermaids mostly stay out of human politics, but stung by this, the equally insecure empress of the nearest mermaid empire ensured that said reign would be a short one by secretly inciting treason and eventually civil war in that kingdom. The loss of life and damage to the kingdom was incalculable, but the mermaids got their dances back.)

A mermaid choosing a gown for a ball thrown by humans generally wants to outdo every other woman there, human and mermaid alike, because the most common fault among them is vanity, followed closely by pride. Some of them do it by going with human fashions, thereby beating the human women at their own game, and some prefer to go with gowns designed for mermaids, which tend to evoke the sea, be less formal and hide the legs. (Most mermaids are self-conscious about having legs, as the vast majority of cheap mystics really don’t have the skill or knowledge of anatomy to form perfect ones for very long, so mermaid skirts are inevitably long and loose. The mermaid wearing a miniskirt is the one who gave up her firstborn.) This dress is definitely a mermaid gown; the human women at the ball where this will be worn will all be wearing more elaborate gowns, closer to what I think of as stereotypical princess gowns: tight bodices, poofy skirts. (Although some human women near the sea, where mermaids are more likely to show up to balls, have taken to wearing things mermaids can’t: shorter dresses, gowns slit up the side, tight skirts.) The choli-style top, the lotus and wave pattern, the fluttery aquamarine overskirt all make this gown arresting and otherworldly: just the thing for toying with the hearts of humans, leaving them crushed like a shellfish dropped onto a rock by a seagull. Later the human women will gossip about how revealing and tacky the top was, how unfashionable the whole savage getup was compared to their gowns, but the target of their ire will be already safely back under the sea with new stories to tell.