Mermaid Monday #7: Crimson Tailed Mermaid with White Ruffly Top and Ruby Jewelry

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This mermaid was born with red hair and a red tail, and although red has positive connotations in mermaid culture, associated with weddings as it is, she thought it was just too unfair for words to be naturally confined to one color and longed for shining black hair, or maybe a lovely gold tail instead. (Most mermaids have different color hair and tails, so we might consider her something of a mermaid albino, in a way.) She was quite self-conscious about it for some time, because she was teased about being destined to marry early by her mom and sisters and the less kind mermaids nicknamed her “Sockeye.” Then she figured out that humans found red an intriguing and sexy color, and they didn’t know that her peers thought that she was some kind of freak. So, far from being ashamed of her natural coloration, she embraced it and started spending more time on land than sea, dancing all night in outrageous crimson gowns and demanding presents of ruby jewelry from her admirers. She ended up forsaking the sea entirely and became a famous actress among humans, never marrying but constantly throwing spectacular parties in her indoor grotto for her favorite actors, artists, aristocrats and sometimes even a reformed pirate or two. Sometimes she would send invitations to those who had called her “Sockeye,” but the invitations were meant as a slap in the face and all concerned knew it.

Putting our scarlet girl aside for now, I am quite happy today because I ordered sixty-one new colored pencils this morning. Ten of them are colorless blenders, since those are like water running through my hands, soon sharpened into nothingness (well, actually into little stubs I can’t use until I find some decent pencil extender). Maybe 40% of them are replacements of colors that are getting low, and then the rest are colors that have come out in the ten years I’ve had my set. I’m ecstatic just thinking about their names! Pale sage! Ginger root! Kelp green! Come to me quickly, little pencils, and we will have some fun together.

This poll has a clear winner so far, but it’s not time for it to go away yet…


Halloween Costume Series Day 4 / Mermaid Monday #6: Pearl Blue Mermaid Costume with Pearl and Lapis Lazuil Strands and Pink Shells

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You thought I forgot about Mermaid Monday! I never forget about things, I just don’t do them and then become consumed by guilt.

The good thing about my October project is that it’s quite freeing not to worry in the least about what time period something is from or if it’s accurate or realistic. I started sketching for my ghost, ending up with something that looked like a ghostly Juliet (hence the reference in the text) and thought, well, is this OK? Is it like something from that time period? Maybe I’d better look it up… Then I realized it was a costume and I had perfect license not to care. Since with my historical dresses I attempt to stay in the style of the times right down to the year without just copying another dress, it can be difficult to do them properly. This month, I’m winging it! and it’s great!

The bad side is that most of my outfits are costumes in some way anyways, so the energy I don’t devote to thinking “is it accurate?” instead goes to “is it a costume?” There can be no mermaid costume in our world better than the costumes Iris and Sylvia already have access to, since our world does require feet. With imagination, most everything I’ve drawn is a costume already and my October project is redundant. (But fun!)

There are plenty of masquerades in the mermaid world, both among the mermaids and on land with the humans and elves, but the mermaids certainly don’t dress up like mermaids and for any of the others to do so would be in bad taste. No, this costume (really just a hobble skirt with ruffles sewn on the bottom) is most certainly from our world, and since here there are no real mermaids to compare it to it does its job well enough. What do mermaids dress up as for their Halloween, you might wonder? Unsurprisingly, they dress as things that scare them or things they aspire to, although mermaid takes on human culture are becoming popular as well. There are three more Mondays in the month, so we’ll see.

New poll on the 8th! So don’t neglect to take this one…


Margaret Hale’s White Gown from Elizabeth Gaskell’s North and South

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This gown is based on one that Margaret Hale, main character of Elizabeth Gaskell’s North and South, wore to a dinner party. I listened to a Librivox recording of it this month.

All we know about the gown from the book is that it is white silk and adorned with coral (two pins in her hair, her sleeves looped up with coral strings, and a coral necklace.) There’s no firm date given for the events of the book, but I’m dating this gown to 1852, based on this page, which makes it sound as if the strike in the book was based on the historical strike at Preston in 1853, a year before the book began to be serialized. Then, this was the gown that Margaret also wore for her cousin’s wedding, which was at the beginning of the book. It’s an inconvenient date — right there between the Regency gowns and the hoopskirt at its height. I used this page for reference, mostly.

It may sound like the book is some sort of Civil War drama, but it refers instead to the differences between the slow-paced farming communities of the south of England and the upstart industrial cities of the north. For this reason I found it a rather odd book somehow; it starts off with a wedding, a silly mother, a pastor father, a suitor for Margaret and a good bit of walking, gardening and drawing, and we Jane Austen fans think “Oh, I know where this is going.”

(Unrelated: while chatting with a woman working at the bookstore the other day, she told us she had been talking to someone who lamented, in all seriousness, that Jane Austen hadn’t written anything lately.)

But just as the reader is getting acquainted with Helstone and its inhabitants and charms, there’s a crisis: Margaret’s father loses his faith in some way, enough that he feels that he must renounce his living and find other employment. This revelation is never truly explored in the book, as Margaret seems rather afraid to ask for any more details, and instead throws herself into the mundane details needed to keep the family together. So they move to Milton, a factory town, and her father becomes a private tutor. And all of a sudden, this book which had seemed to promise a lightly romantic comedy of manners, brings in questions of religious faith, chapters upon chapters of class conflict, lingering illness, murder, deception, lies, grave misunderstandings and lots and lots of death. (And why the one character I would have liked to see die never quite made it there, I have no idea.) This is all separate from the story of Margaret’s love interest, which is its own little torment; they must spend thirty chapters thinking of each other, misunderstanding each other, and being miserable, before it is all finally resolved in the last page of the book.

I enjoyed it thoroughly, even with the heaps of melodrama, as Margaret herself is a fascinating and admirable heroine, and the depiction of the class conflict is easily more important than the romance. The strike, the union and the millowners are all treated evenly and sympathetically, and the inclusion of such themes makes the novel so unique.