gloves

Belated Black and White Valentine’s Day Gown

63 comments
Share

Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

Unsurprisingly, I’m late for Valentine’s Day, but I had to do a Valentine’s Day gown for two reasons. One, Valentine’s Day is the perfect occasion for the type of ridiculousness I do best. Although I appreciate the simplicity of the re-branded Valentine’s Day, I’m having none of it. (Pass the lace.) Two, I love all of you for not forgetting me like I so richly deserve. I’m sorry.

The truth is, for the last few months I’ve been devoting myself to my other great interest, which is studying Japanese, and for some reason, when I’m really devoting myself to one thing, my interest in everything else is non-existent, and I am lucky if I can start work on time and make dinner in a consistent fashion. I really miss drawing, though. I’m going to take a stab at doing both. As a matter of fact, I was thinking, if I could combine my Japanese studies and my paperdolls somehow, I would never get tired of either of them! I’m seriously open to suggestions on this point. If you were me, what would you do with these two incongruous, underdeveloped skills?

In the meantime… well, we’ll see. I really miss paperdolling. But even if you don’t see me again for another month (and I really will try not to be that flaky this time!) at least now you have a new dress to color. This one could keep you busy for a while, too…

Doris Day’s White Evening Gown from Pillow Talk

10 comments
Share

Click for larger version; click for the list of dolls.

I got an e-mail from one of my readers, Kim, a while back, talking about the designs of Irene Lentz, a costume designer who worked on some Doris Day movies that she recommended to me, one of which was Pillow Talk. I have to do further viewing before I can be familiar with her work, though — it looks like Pillow Talk was costumed by Jean Louis (who, credited for “gowns,” probably designed this costume) and Bill Thomas. Anyways, whoever designed them, I love Doris Day’s outfits in the movie. Her character is an interior designer, and she always looks fabulous: the movie was released in 1959, and her clothes are right there between smart 1950s femininity and 1960s clean style. The movie itself was something I had to kind of turn off the overly serious and feminist parts of my brain to enjoy: I know it’s supposed to be a light-hearted sex comedy, and the way the guy manipulated the girl (and her revenge) was really quite amusing. Still, when viewers are supposed to take the baby at the end as proof that our hero and heroine achieved ‘happily ever after’, it signified to me “she’s got three, four years tops before he gets bored of her.” Yeah, call me a cynic but I can’t watch a movie like that without scripting out a few months worth of premarital counseling for the dysfunctional couple in my head. Doesn’t mean I don’t have the other Day/Hudson movies on reserve at the library…

Wiki Dress #2: Gold Harvest Gown with Green Peplum and Celtic Patterns

9 comments
Share

Click for larger version; click for the list of dolls.

Now, I happen to know my mom edited this revision of this dress, and therefore it had to be drawn, because my mom’s awesome. I think I ought to ask her to design me dresses more often when I’m feeling unimaginative! She’s also more dangerous with the Prismacolors than I am – she does absolutely gorgeous drawings of flowers and plants on cards, then sends them to people. She jokes that you only get to come to her funeral if you got a drawing from her. Here was her description of the dress:

A sunflower yellow bodice,green peplum with a beyond floor-length skirt done in blended colors of harvest. The hem is heavily decorated with a matching line of Celtic designs in dark blue, with golden accents.

The neckline is decorated with very small dark gold and blue accents, with tiny sparkling swarovski crystals and blue pearls in the center. The waist is decorated with a slim swirly golden pattern and small crystal beads, and the skirt is draped, cascading down to the floor.

She also has a pair of long dark green gloves that reach halfway up. The back of each hand is embroidered with harvest and Celtic designs. On her feet are soft blue satin slippers.She also has a subtle webbed crystal frill tiara (worn front-to-back)with dripping tiny blue seed pearls. Around her neck is a matching crystal and single pearl necklace.

I guess you have to imagine the satin slippers, and there wasn’t enough space on the glove for a harvest design, but I think this came out really nicely and hopefully close to what Mom was imagining. This is one where I wish I could show you all the original — the harvest colors on the skirt are a lot prettier on the real thing. It made me decidedly twitchy to finish coloring the skirt, then draw patterns all over the hem, but it worked, I think!

Blue Watery Masquerade Ball Gown with Satin Blue Underskirt and Crystals

20 comments
Share

Click for larger version; click for the list of dolls.

So recently, I got an e-mail from Diana asking if I could draw a dress for a roleplay she was taking part in. I went through and read the scenario, and Diana’s character Leslie is a human spy in a magical world who has to infiltrate a masquerade ball attended by aristocrats. So I thought this was a fun challenge: what sort of thing might a spy wear to such a ball? It’s dead easy to make a gown that says “hey everyone, look at me!” or one that says “I am a Woman of Mystery” but one that looks expensive and magical enough that no one questions its wearer’s right to be there, yet isn’t so noticeable that everyone winds up talking about her… fun. I ended up going with blue, a rich but soothing color, and an overskirt with fabric like shimmering water and seafoam, studded with crystals — although I don’t really think the crystals worked out too well. Oh well. Diana, I hope you like it anyways, and I look forward to seeing where the story goes!

The poll is yet ongoing…

poll by twiigs.com