Halloween Masquerade Costume Series #2: The Cursed Sisters, Part 1

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After three years of black and purple mourning clothes, Linnetta’s gown for the masquerade ball — a playful representation of a demon princess — was a blaze of glory. She felt as if its crimson lining was burning her skin, and her cheeks glowed with, if not perfect good health, a fair imitation of it considering all she had gone through. Even after so many near brushes with death and grief, no one was as beautiful as she was tonight: such thoughts consoled her on such a difficult evening. Linnetta bowed her head demurely as she made her entrance at her father’s side, ignoring the buzz of voices. It was distasteful to hear people placing bets on when she was going to die, but she had gotten used to it.

Linnetta found herself trapped in polite conversations with Lady Someone-or-another, and then Duchess So-and-so, and (so it seemed, in the rush of masks and spangles) every woman at the ball; in her absence from society, Linetta had forgotten most of the titles she ever knew, but she’d lost none of her charm. She didn’t really want to talk about her sisters, but whenever a conversation partner made sympathetic noises about her unfortunate loss — five sisters, and so young! — she made grateful noises in return, so each nosy woman could leave feeling like they had comforted poor bereaved Linnetta without actually sharing in her tragedy.

The cursed sisters all should have been there that night, and Linnetta felt their absence keenly, as if she saw them from the corner of her eye. The masked faces were all focused on her, trying to predict the manner by which the youngest and fairest daughter would meet her end, and wondering if it might even be tonight. Linetta ignored them, taking refuge in a cluster of acquaintances. She couldn’t even lose herself in the dance, for it’d be unseemly to be too carefree at her first appearance after her long illness, and the period of mourning.

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… Don’t worry, I’ve written the whole story out in advance this time. In terms of site news, no one has guessed the correct singer / group that I learned to draw gold from. (Hint: look at my about this page link for an idea of possible dates – this isn’t a trick I picked up recently). Also, I’m going to put up a poll tomorrow for week 3 of costumes: please post any suggestions in the comments.


Black and Blue Heavens Masquerade Gown with Jupiter-Inspired Underskirt and Gold Curls

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So, I hope you all out there are having good luck with your New Years resolutions, because I, oh, TOTALLY failed mine already. (“Draw more,” of course.) Yeah, sad, I know. I have no excuse, and I offer a fancy dress in penance.

I designed this one when drawing Diana’s masquerade gown, but I thought it would be a poor spy who would wear something so dramatic, so I drew the blue gown instead. But I did like the design, and so it didn’t get tossed with the rest of my sketches.


Halloween Costume Series Bonus: The Vampire’s Black and Purple Regency Ballgown with Black Lace and Silver Sash

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Now, I like the Good Queen as much as anyone, but the vampire always was one of my two favorites ever since she was drawn. (The other was the gypsy girl, who didn’t make it into the finals even though she has the cutest embroidery on the hem of ther skirt.) So the Good Queen took an early lead, but the vampire was always close behind, catching up right near the end, and when I got back from Thanksgiving festivities she had won with a respectable lead, 28 votes to 22 (with Undead Marie in third place with 15 and Christine last with 12). I think the Good Queen must be furious, but as promised, here’s a victory gown for the vampire.

I saw her gown as being an undefined Regency style, so here’s a ballgown in the same vein (I’m sorry, I can’t help myself). I don’t think it’s nearly as good as the first one, but it’s not bad. I’m tempted to do extra outfits for all of the finalists, as I’ve become quite fond of them, and now I have a proper pencil sharpener I bet a good ghostly court dress would be fuuuuun, and not the slog that Undead Marie’s gown was.


White Gown and Corset with Peach Embroidered Inset from Taylor Swift’s Love Story

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Now I don’t really listen to country music, possibly because I fear being disowned by my dad, who says if he starts to listen to it of his own volition, we will all know he’s gone senile. Still, when Janel wrote about a beautiful dress that she was helping a young friend reproduce, it was almost a foregone conclusion that it’d end up on my blog, even if it did come from a country music song. It’s called Love Story by Taylor Swift, and I think it’s a lovely music video even if I am getting teased by Brian about it.

Since she spends almost all her time in this dress standing behind a balcony, and because I’m watching the video on YouTube, I can’t really tell how the skirt looks; the corset should be about right, but the skirt is more of a guess. From this photo it seems to have some interesting construction going on, but that’s just about the only picture I can find with the full skirt. (The arial view in the video doesn’t count, but it does give away that there is a longer train on the real thing than on the paperdoll. Unfortunately, while her costume designers likely have access to yards and yards of fabric, a proper train would have run off the side of my paper. Paper Dolls 1, Real Life 1.) Should anyone else wish to reference it, I used these two pictures when drawing the corset.

There’s been a tremendous amount of interest in this dress, so I wanted to add two things: One, I’m definitely not the designer — that would be Sandi Spika. Two, Janel wrote a FAQ on the Love Story dress that answers questions about the dress and is very helpful to anyone wanting one for themselves.

I’m glad there’s no clear winner in the poll yet, it makes the Grand Halloween Showdown so much more fun…