Mermaid Monday #7: Crimson Tailed Mermaid with White Ruffly Top and Ruby Jewelry

Click for larger version; click for the list of dolls.

This mermaid was born with red hair and a red tail, and although red has positive connotations in mermaid culture, associated with weddings as it is, she thought it was just too unfair for words to be naturally confined to one color and longed for shining black hair, or maybe a lovely gold tail instead. (Most mermaids have different color hair and tails, so we might consider her something of a mermaid albino, in a way.) She was quite self-conscious about it for some time, because she was teased about being destined to marry early by her mom and sisters and the less kind mermaids nicknamed her “Sockeye.” Then she figured out that humans found red an intriguing and sexy color, and they didn’t know that her peers thought that she was some kind of freak. So, far from being ashamed of her natural coloration, she embraced it and started spending more time on land than sea, dancing all night in outrageous crimson gowns and demanding presents of ruby jewelry from her admirers. She ended up forsaking the sea entirely and became a famous actress among humans, never marrying but constantly throwing spectacular parties in her indoor grotto for her favorite actors, artists, aristocrats and sometimes even a reformed pirate or two. Sometimes she would send invitations to those who had called her “Sockeye,” but the invitations were meant as a slap in the face and all concerned knew it.

Putting our scarlet girl aside for now, I am quite happy today because I ordered sixty-one new colored pencils this morning. Ten of them are colorless blenders, since those are like water running through my hands, soon sharpened into nothingness (well, actually into little stubs I can’t use until I find some decent pencil extender). Maybe 40% of them are replacements of colors that are getting low, and then the rest are colors that have come out in the ten years I’ve had my set. I’m ecstatic just thinking about their names! Pale sage! Ginger root! Kelp green! Come to me quickly, little pencils, and we will have some fun together.

This poll has a clear winner so far, but it’s not time for it to go away yet…


1814 White Lace Trimmed Regency Gown with Sheer Overskirt and Pink Shawl from Persuasion by Jane Austen

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Persuasion was one of the audiobooks I listened to earlier this year (again, from Librivox); it’s set starting in 1814, but the time, rather than the book, influenced this dress. Since it’s white, it’s probably considered too young a color for the book’s heroine, but I don’t think I’ve ever done a pure white Regency gown and it sure was fun to draw. This one might as well be titled “Liana Has A New Pencil Sharpener,” really. My old one was probably around eight years old, no wonder it took about two minutes and lots of coaxing to get a point inferior to the ones my new sharpener produces in seconds. It shows, too. Look forwards to a lot of lace in whatever I do next.

I looked at so many sites when thinking about how this dress should be, I can’t list them all, but pemberley.com, the Regency Fashion Page and Jessamyn’s Regency Costume Companion are the ones I noted down for later, so if you have any interest in Regency fashion please take a look at them.

We’re reaching the end of the Halloween costume polls. You haven’t forgotten about them already, have you?


Laura’s Blue and White 1870s Victorian Day Dress from J. Sheridan Le Fanu’s Carmilla

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So yesterday I did the vampire Carmilla’s bloody nightgown, and then I got to thinking how unfair it was that she got all the attention and long-suffering Laura got none. As a matter of fact, I can’t even remember Laura’s name without referring to Wikipedia or my previous entry. Face it, you really have to pile on the lace to make mild victims as interesting as seductive vampire women in bloody nightgowns. And so pile I did, and here is a dress from 1870 that Laura might have worn. To be honest, even though as near as I can tell 1870 is an accurate enough date for the book’s setting, I thought long and hard about going back a few years for inspiration. After all, Laura and her father lived in a castle in Germany in the middle of nowhere and who knows how well Laura kept up with English fashion in between vampire ravishings. But then I thought, she was still a growing girl and if her dresses were two or three years old, maybe she’d have outgrown them and wouldn’t be wearing anything that old? Maybe since her father is sort of vaguely rich, she orders a lot of new dresses? Maybe she spends a lot of time remaking her dresses referring to whatever fashion news she can get, because life in an isolated castle is so boring? So I over-thought this until I got fed up and tried to make an 1870s style day dress anyways, like I had initially planned. Since it’s not a copy of any one dress, it’s probably not historically accurate (I definitely have my misgivings about the way the overskirt turned out) but oh well, it was sure fun to draw.

New poll tomorrow, but this one will remain open for a few days yet…


Blood-Stained Violet Embroidered White Victorian Night Dress from J. Sheridan Le Fanu’s Carmilla

Click for larger version bloody / clean; click for the list of dolls.

So the server held up all right, but I’m still reeling from the Metafilter aftershocks. Usually I get about 400 unique visitors every day, and I was really excited when that turned into 500, late October when everyone was searching for Halloween stuff — how long will it take me to top 2,824?

Even if nothing will ever be as good again, life must go on. I’ve been thinking about all the audiobooks I listened to this year and never did a paperdoll outfit for — just off the top of my head I can think of half a dozen that offered fertile paperdolling grounds. So I think now that the year is coming to a close, it’s a good time to stop regretting the outfits that never were and start making them happen!

This is from J. Sheridan Le Fanu’s classic 1872 vampire novel Carmilla, which isn’t as well known as Dracula but heavily influenced it. I listened to the Librivox version read by Elizabeth Klett a couple months back. Even though it was published so long ago I feel rather like I’m spoiling it, but in any case it’s no surprise that the Carmilla of the title is the vampire, preying on the sheltered and innocent Laura as well as just about everyone else in the town. In one scene she is portrayed as standing at the foot of Laura’s bed, “in her white nightdress, bathed, from her chin to her feet, in one great stain of blood.” As you know, I aim for accuracy in all things. (Brian said he could hardly stand looking at it…)

Now undoubtedly there are those of you out there thinking not “Poor, poor Laura, so near succumbing to the vampire Carmilla!” but instead thinking “Poor, poor night dress, so beautifully made and so sadly stained with Carmilla’s dinner!” Don’t worry, I’ve learned from my experience with the Good Queen. Look, through the magic of paperdolling you can wake up with Laura and be quite sure that it was all a bad dream…

I still haven’t finished my Halloween poll series. I fear that the nightshade fairy has quite an advantage, though…