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Someone once told me they liked my darker dresses more than the conventionally pretty ones; the truth is, I do too, but conventionally pretty is easier to knock out when it’s 7:30 PM, I haven’t even started to think about what to draw (always much harder than the actual drawing) and I still have to make dinner too. But I resolved to do some darker dresses this Halloween, so we shall see how I do.

I’m not the only one who has a hard time breaking free of conventionally pretty clothes. The owner of this dress — sorceress? evil queen? both, actually, as she had an unconventional career trajectory — has deeply buried attachments to such dresses from her days as a beautiful princess, as good and uninteresting as the day was long, and she never quite lost her taste for some of the elements: the tight bodices, the poofy skirts, the splashes of color and lace. Now, a dress like this she couldn’t wear in front of fellow evildoers and retain her self-respect, as there’s just a touch too much fragility in the bow at the waist, too much domestic modesty in the long sleeves, too much girlishness in the full skirt and not even a creepy pattern in the fabric of the underskirt. It could be saved by a dramatic collar that jutted out inches past her shoulders and soared to her ears, but she just can’t bring herself to put it on and ruin the neckline. So she wears it in the privacy of her own chambers, although I cannot say she does anything so sentimental as reflect on her past life — I cannot say if she can still remember her princess days, to be precise — and if she suspects a henchman of giggling at her, she guts him like a fish.

You will hear more about her later in the month, if all goes well, and see some of the clothes in her wardrobe that better fit her twisted crown. But practice your poker face in the meantime, so she doesn’t think we’re making fun of her.

Prismacolors used: Warm Grey 20%, 50%, 70% and 90%, Black, Scarlet Lake, Tuscan Red, Greyed Lavender, Imperial Violet and Black Grape