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When Brian writes me a vampire story, it will go here. I just couldn’t let this dress wait, though! I mean, it’s got bats.
To cut out the collar, cut down across the white line and cut out the blank space over the chest, then slip the black part behind the doll’s neck. It’s one of those things that should work in theory…
While waiting for the vampire story, please amuse yourself with this week’s poll:
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So what if “princess” is possibly the least imaginative costume for anyone past second grade? It’s pretty, and if there’s anything I like in this world it is pretty dresses. I believe, now, that I may be the foremost non-Disney expert on what makes a dress princess-worthy, for these are the kinds of things one thinks about when one draws lots of paper dolls.
I don’t know much about the owner of this dress except that she does like her roses, and I would be surprised if she cultivates them herself as the owner of this pink princess gown does. No, this princess is a bit of a terror, and she insisted that her dress should lend her a sort of mature innocence, that it should be both heavy and light, serious and frilly, and highly becoming to her porcelain complexion and rich brown hair. It it is no coincidence that her dressmaker took a very long vacation after its completion. But this, I think, is not the kind of princess to worry too much about the anguish of such people. I for one hope the dressmaker got far enough away not to hear about the princess saying, at her next ball, “Oh, this old thing? You like it? It’s just an old rag I had lying around in my closet.”
The veil should be cut between the gold part and the white fabric, such that the doll’s head can be slipped through and the gold band goes around the forehead while the veil flutters behind.
Take my new poll:
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Reading smalltown mom’s blog has put me in a nautical mood, so…
The most powerful pirates wore whatever they pleased, and that was as much of a sign of their power as the fancy ships or fantastic treasures that they posessed. Among the cabal of the fifty or so most elite of the lords of the sea, it was understood that there was no need for artifice or the peacock-like preening of the lesser pirates; when you were that good at what you did, any excess started to look tacky. Captain Christopher Blood, feared master of the legendary Dreadfall, often wore a simple shirt and trousers and went barefoot, making him look for all the world like a new recruit, while Lady Bethany Star was fond of simple shifts without the slightest bit of embellishment. (Since she loved snow white linen and her clothes were so routinely bloodstained, it was actually more efficient to buy a year’s worth of shifts at once than to add the job of washing them properly to her favorite attendant’s duties.)
It was really only those still trying to make names for themselves who fussed over their buttonholes and silks, donning ropes of trade beads and piling feathers onto their tricorn hats until they looked like they might very well fly off themselves. The poorest of recruits with any ambition at all would soon have at least a snazzy handkerchief to show off, even if the rest of his clothes were castoffs older than he was. Extravagant flamboyancy was the look everyone aimed for, but make the mistake of snickering at a young pirate dandy with his waistcoat so adorned with lace it looked like a skirt and you’d be lucky to get away with interesting designs carved down your back and a majority of your fingers.
My pirate girl, Elaine Morgain, is well on her way up. No ship of her own yet, and not as much jewelry as she would like, but she’s got plans. In the meantime, she’s her current captain’s right hand and the second-best shot among the crew, she’s faced down some tricky situations (the most notable of which was surviving being marooned for a month, then having a delicious revenge a full year later) and she’s gained a reputation in certain circles for charisma, ruthlessness and the devil’s own luck. Not bad, she thinks, for someone who started pirate life with a dress barely patched together and a couple of throwing knives. (And yes, throwing knives have a place on a pirate ship. You have to be extra skilled to use them right, though.)
To cut out the left sleeve, cut around the lace, then put the hand over the skirt; to cut out the hat, cut on the white lines. (It may need to be cut past where I have the lines, though. Call it a guideline.)
Take this week’s poll!
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For Annissa! :)
I’m still a little sick, so it’s not the best one I’ve ever done, but it’s a good start on the path to doing a paperdoll every day again… Anyways, this is a redrawing of one of the 1800s regency gowns I did for the Boutique. I must have based it off of something, but it was ten years ago, I have no idea what it was based on…
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