Princess Garnet’s White Gown from Final Fantasy IX

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Brian finished Final Fantasy IX recently, and since I’ve always loved the gown that Garnet a.k.a. Dagger wears at the beginning and end of the game, I just had to paperdoll it. For cutting this one out, it ought to work to cut the sleeve around the ends, and then both arm and sleeve go above the skirt. I am tempted to do a “Fancy Gowns of Final Fantasy Games” series…

Once again, Verithin pencils to the rescue with those vines. I love those things.

Don’t forget to vote for the mermaid tail for next Monday:


Red, Black and Gold Captain’s Outfit based on Puzzle Pirates

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I downloaded Puzzle Pirates the other day — it just looked too cute not to give it a try. And indeed it was very cute, and I played a good deal of it for a couple of days. There’s a lot of puzzles to try, although I only really liked one or two of them, and the world is fun too: you can do puzzles by yourself, but you can also do them as a team, everyone working on a different kind of puzzle to make your little pirate ship sail smoothly, and it’s a lot more fun doing puzzles when you feel like it’s contributing to the speed of the ship or patching up the holes. You can also buy items for your house, or cute clothes to wear, which is where today’s paperdoll comes in.

The game has a lot of different items of clothing you can buy, and then the colors can be customized. Today’s paperdoll is based on a captain’s hat, a buccaneer jacket, flare pants and buckle shoes. One interesting thing about the clothing system is that different colors cost different amounts; this ensemble uses two of the most expensive colors, black and gold, making the estimated cost well over $100,000. Changing the colors to brown, green and white lowers it to about $7,000. So, of course, Sylvia is an admirable pirate, very skilled at plundering and puzzles, and wears plenty of black and gold. (My in-game character wears plenty of white and a shirt she got for free.)

I found this site when thinking about this paperdoll: Quid Pro Clothes, which is the website for one of the in-game tailors. (Players can just do puzzles, like me, or they can get into the metagame and the economy and start their own stores, buy their own ships, etc.) This site essentially removes much of my need to play the game, because of one reason: if you sign up for the site, it lets you play with the clothes without having to spend hours and hours saving the money first. You can also look at other people’s creations; I like this take on the Greek gods.

On a side note, apologies to Mom for driving her crazy today as I enlist her help in resume creation. “Remember it goes like this: letter first, paperdoll second” she says.


Pink and Yellow Chiffon 1940s Evening Gown Via Damn Good Vintage

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Julie the Vintage Goddess linked to me recently and said some very kind things about my dolls. She also buys and sells vintage clothing from her site Damn Good Vintage, so I was looking through her site and her blog for some inspiration when I found this post, “You Can’t Save Them All”. It tells of her attempts to restore two dresses, one of which was too stained to save, and one of which was a yellow and pink chiffon 1940s evening gown that cleaned up nicely, but tore easily and couldn’t be saved either. Well, if there’s one thing paperdolls are good for, it’s to right the wrongs of damage and time. Or to put it simply, Paperdolls 1, Real Life 0.


5th Century AD Upper-Class Celtic Woman In Saffron and Green Léinte and Green Brat (for St. Patrick’s Day)

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Wikipedia says that “uncritical acceptance of the Annals of Ulster would imply that he [St. Patrick] lived from 373 to 493″ and for the purpose of paperdolling, I can be uncritical. This is my guess at what an upper-class Celtic woman might have worn during the time of St. Patrick. She wears a sleeveless saffron-dyed, heavily embroidered léine, which is a linen tunic, over another light green sleeved léine. At this point, the sleeves, if there were any, were long and straight; the larger sleeves that you might see at a Renaissance fair come later. The green fabric she wears as a cloak is called a brat, and it’s made of wool and edged with gold. She pins the brat with a white bronze penannular brooch, and she wears a woven leather belt.

I cannot say that this is entirely historically accurate; I’ve read about clothes from that time and done my best to make it so, but I’m no expert. I read a lot of great resources about clothing from this time period:

Ceara ni Neill’s Early Period Online
Paul Du Bois’ Book of Kells Images
Clothing of the Ancient Celts
Echna’s Celtic Clothing Page
Crafty Celts

Also, if you’re looking at the dress and thinking “Well, how would someone actually cut that out? Or were hand amputations common in the 5th century?” my advice would be to cut a line between the edge of the sleeve and the cloak and slip her hand through it. This is, of course, if you have already followed my advice (given somewhere…) to cut Sylvia’s hand away from her hip, so that dresses like Margaret Hale’s gown work better.

Brian told me I should have done something for Saint Urho. Maybe next year.