1778 Light Blue Robe a la Polonaise with Rose and Flower Trim Inspired by Fanny Burney’s Evelina

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So I recently finished listening to the Librivox recording of Evelina by Fanny Burney, which is not a book I knew of before browsing the Librivox catalog but I’m quite glad I put in the sixteen hours necessary to listen to it. I don’t recall Evelina being referenced in any of the Jane Austen novels, but I believe a couple of Fanny Burney’s other novels are mentioned in Northanger Abbey. Certainly Austen would have read Evelina, and her characters might have secretly wished for a Lord Orville like everyone seems to wish for a Mr. Darcy these days. It’s about a timid and innocent girl, who is overly both, I think, for modern sensibilities, but still a sympathetic main character. Her situation was so precarious (she has a “mysterious” background and no powerful friends looking out for her interests) and she always seemed to be getting into so many misunderstandings that I had to look the ending up on Wikipedia to make myself less nervous about the possibility of her being deceived by a rake or exposed to ridicule in a way that would destroy her reputation forever. (Having recently come off of The Age of Innocence, and having abandoned Ruth after skimming its Wikipedia page and finding out that things didn’t end well, I couldn’t sink hours into listening to another depressing novel.) I think, though, that it’s a very fun novel even if I fretted over the heroine and her perils. Sir Clement Willoughby is a tremendous bounder and it’s quite satisfying to despise him, and Evelina’s family and acquaintances are all colorful even if they’re mortifying to her. It might remind a modern reader of Austen, but the feeling that something is always about to go wrong makes it more salacious. Elizabeth Bennett was never caught by Mr. Darcy in the company of disreputable women, that’s for sure.

The book was published in 1778, and there aren’t any time references inside the book that meant anything to me, so I’m just going to go with what its readers might have worn although the book perhaps was set a couple years earlier. Corbis has, for some reason, a great number of fashion plates from 1778 (just search “1778 dress”) and I was struck by how different many of them appeared from what I think of from the late 1700s, the robe á la française and the robe à l’anglaise. The style that struck me is apparently the robe à la Polonaise, and even if perhaps Evelina is supposed to be set a couple years earlier than 1778, I will comfort myself with the thought of her wearing many of these dresses after the novel ends. Don’t ask me about the hat. It didn’t quite work out, but the first draft ended up with antennae and a windmill so this is sort of an improvement.

Incidentally, I was a little surprised to find Evelina mentioned in a recent article about the movie Confessions of a Shopaholic, as it boasts “literature’s first shopping spree”. Yeah, I’m probably not going to see that movie, even if it has clothes like this unholy concoction of neon ribbon and dalmatian fur that beg for paperdolling. I was reading an article a while back (couldn’t find it, sadly) talking about how in this economic climate, over-the-top chick flicks like Shopaholic might be edited so that the protagonists learn a couple convenient lessons before the end, which made me think, yeah, I’d probably fork over $8 to watch a movie like “Confessions of a Shopaholic” if the main character ended up like Lily Bart.

By the way, mark your calendars for the 22nd, a week from now: I’m going to be liveblogging (livedrawing?) the Oscars. I don’t know precisely how that will work, but it’s going to be fun.


Tribal Belly Dance Costume with Green Gold-Trimmed Choli, Red and Gold Hipscarf with Gold Coins and Full Black Gold-Trimmed Skirt

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So I started a belly dance class (beledi, to be precise) a few weeks back. Unsurprisingly, it’s always been something that appealed to me (fancy veils! shiny coins! etc.) but I’m ridiculously uncoordinated, disconnected from my body, overweight, quite self-conscious, can’t tell my right from my left, and in every way am the type of person who should stay well away from dance classes. But once I got over the abject terror involved in stepping into the studio and completing the first class, I was hooked. Hip shimmies are a lot of fun if you’ve got plenty of hip to put into them, for one thing, and the movements are something I can usually do once I watch closely and practice for a bit. Of course I’ll never be a “dancer” in any way; people say “just let go” and “just follow the music” and “don’t think about it” and apparently I walk around in a near constant state of tenseness because all that is impossible for me. In class I feel like I’m translating everything the teacher does into a flowchart for me to follow and when I do something with my body that I can’t explain with words, like pivoting or this one veil move, it’s really quite unsettling for me.

Anyways, as far as I know (and keep in mind I’m a total noob) there are two styles of costumes, cabaret and tribal, cabaret being the highly beaded bra and skirt look and tribal going for a more ethnic, fantasy look. I really like the tribal look, so that’s what I went with for this paper doll. She’s got a green choli, a red hipscarf and a black full skirt, all trimmed with gold and gold coins. I covet the choli I drew for my doll, but I’m not so sure I’d have the courage to wear it!

At the moment, the vampire has pulled ahead… there’s still time for the Good Queen to come back ahead though.


Halloween Costume Series Day 5: Green Princess Gown with Pink Rose Trim and Gold Lace

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So what if “princess” is possibly the least imaginative costume for anyone past second grade? It’s pretty, and if there’s anything I like in this world it is pretty dresses. I believe, now, that I may be the foremost non-Disney expert on what makes a dress princess-worthy, for these are the kinds of things one thinks about when one draws lots of paper dolls.

I don’t know much about the owner of this dress except that she does like her roses, and I would be surprised if she cultivates them herself as the owner of this pink princess gown does. No, this princess is a bit of a terror, and she insisted that her dress should lend her a sort of mature innocence, that it should be both heavy and light, serious and frilly, and highly becoming to her porcelain complexion and rich brown hair. It it is no coincidence that her dressmaker took a very long vacation after its completion. But this, I think, is not the kind of princess to worry too much about the anguish of such people. I for one hope the dressmaker got far enough away not to hear about the princess saying, at her next ball, “Oh, this old thing? You like it? It’s just an old rag I had lying around in my closet.”

The veil should be cut between the gold part and the white fabric, such that the doll’s head can be slipped through and the gold band goes around the forehead while the veil flutters behind.

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