Masquerade Gown in White Lace and Blue Sequins with Light Blue Ruffles and Coral Ribbon

A masquerade gown with a bodice patterned with white lace. The neckline is off the shoulders and slightly V-shaped, and is trimmed with a line of sparkling blue ribbon. The sleeves are three-quarter, and their edges are trimmed with more sparkling blue ribbon. There are long ruffles attached to the edges of the sleeves, and they are colored in a gradient from dark blue to light blue, nearly white, at the edges. They are decorated with a light water pattern. The bodice extends over the top of the skirt and is gathered at one hip, decorated with a bright coral-colored bow. From the bow, four rows of ruffles fall towards the base of the skirt like a waterfall. Each one is colored from dark blue to light blue at the edge, and each one is decorated with a light water pattern. The skirt is royal blue, deeply pleated, and patterned with sequins, so that at the top of each pleat they catch the light and sparkle vividly. The skirt is long, and falls to the floor.Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

When I selected this gown and started working on it, the purple sparkly dress was ahead in the poll, so I thought, sure, I can take a hint. This week is now Sparkle Week, because I’d like to practice making things sparkle. I really like how the skirt turned out on this one, but hey, there’s always room for improvement. It is all a matter of getting the brushes right… I have a lot of sparkly brushes to play with thanks to Obsidian Dawn, and the lace pattern is also one of theirs.

Let’s have a new contest!
Milo has received so many beautiful, handmade blankets from family members and friends that I probably could have started a baby blanket shop. Recently, though, one of them has become the favorite blankie. He likes to have it in his crib with him at night, and he wraps it around his shoulders and walks around with it like he’s the emperor of the house. (Which he is, but…) It has three colors in it. What are those three colors? The winner gets to tell me how to color this week’s gown!
Hint: I’m not being picky about color names. It’s not like you have to say royal blue, crimson and lemon yellow (for example), I just want the basic color names here.
One entry per new post per day, please.
Update: Sarah guessed. I thought that would take longer than it did! It’s white, blue and green.

Also, I’ve set up a Facebook fan page and a separate Twitter account. I’ll use both of these for announcing new posts, but also I’ll try to put up some new content, like special recolored dresses and contests, and I’ll also post some links to paperdoll and fashion related things I like. So please like my page or follow me, depending on your choice of social media!


March Birthday Gown with Blue Tunic and Daffodils

Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

Today, we have a March birthday gown; the birthstone is aquamarine and the birth flower is the daffodil. I always like doing these, but I have an uncomfortable feeling that in all these months I’ve been drawing them, I’ve skipped a couple of months entirely… I had better make a chart sometime.

“What do you think you’ll do today?” my husband asked me.
“Oh, a March paperdoll.”
“Like the Ides of March?”
“Well, not that kind of March.”
Please do refrain from getting backstabbed in this dress, the blue is far too nice to spoil!

I think I have pretty much recovered from being so horribly sick, so I’ll do my best to get back on the paperdoll schedule! (True, today’s is a little late, but where I am, it’s 10:30. That’s not even approaching midnight! Plenty of time.)


Halloween ’10 Day 2: Evil Sorceress’ Black Gown with Full Skirt and Black Ribbon

Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

Someone once told me they liked my darker dresses more than the conventionally pretty ones; the truth is, I do too, but conventionally pretty is easier to knock out when it’s 7:30 PM, I haven’t even started to think about what to draw (always much harder than the actual drawing) and I still have to make dinner too. But I resolved to do some darker dresses this Halloween, so we shall see how I do.

I’m not the only one who has a hard time breaking free of conventionally pretty clothes. The owner of this dress — sorceress? evil queen? both, actually, as she had an unconventional career trajectory — has deeply buried attachments to such dresses from her days as a beautiful princess, as good and uninteresting as the day was long, and she never quite lost her taste for some of the elements: the tight bodices, the poofy skirts, the splashes of color and lace. Now, a dress like this she couldn’t wear in front of fellow evildoers and retain her self-respect, as there’s just a touch too much fragility in the bow at the waist, too much domestic modesty in the long sleeves, too much girlishness in the full skirt and not even a creepy pattern in the fabric of the underskirt. It could be saved by a dramatic collar that jutted out inches past her shoulders and soared to her ears, but she just can’t bring herself to put it on and ruin the neckline. So she wears it in the privacy of her own chambers, although I cannot say she does anything so sentimental as reflect on her past life — I cannot say if she can still remember her princess days, to be precise — and if she suspects a henchman of giggling at her, she guts him like a fish.

You will hear more about her later in the month, if all goes well, and see some of the clothes in her wardrobe that better fit her twisted crown. But practice your poker face in the meantime, so she doesn’t think we’re making fun of her.

Prismacolors used: Warm Grey 20%, 50%, 70% and 90%, Black, Scarlet Lake, Tuscan Red, Greyed Lavender, Imperial Violet and Black Grape


Laura’s Blue and White 1870s Victorian Day Dress from J. Sheridan Le Fanu’s Carmilla

Click for larger version; click for the list of dolls.

So yesterday I did the vampire Carmilla’s bloody nightgown, and then I got to thinking how unfair it was that she got all the attention and long-suffering Laura got none. As a matter of fact, I can’t even remember Laura’s name without referring to Wikipedia or my previous entry. Face it, you really have to pile on the lace to make mild victims as interesting as seductive vampire women in bloody nightgowns. And so pile I did, and here is a dress from 1870 that Laura might have worn. To be honest, even though as near as I can tell 1870 is an accurate enough date for the book’s setting, I thought long and hard about going back a few years for inspiration. After all, Laura and her father lived in a castle in Germany in the middle of nowhere and who knows how well Laura kept up with English fashion in between vampire ravishings. But then I thought, she was still a growing girl and if her dresses were two or three years old, maybe she’d have outgrown them and wouldn’t be wearing anything that old? Maybe since her father is sort of vaguely rich, she orders a lot of new dresses? Maybe she spends a lot of time remaking her dresses referring to whatever fashion news she can get, because life in an isolated castle is so boring? So I over-thought this until I got fed up and tried to make an 1870s style day dress anyways, like I had initially planned. Since it’s not a copy of any one dress, it’s probably not historically accurate (I definitely have my misgivings about the way the overskirt turned out) but oh well, it was sure fun to draw.

New poll tomorrow, but this one will remain open for a few days yet…