Moxie’s Tonic’s pink shirtwaist inspired by Pushing Daisies

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So I saw that Moxie Tonic had linked to me, and when I clicked through the first thing I saw was this sweet, hot pink dress she had made. It’s inspired by a character’s dress from a TV series called Pushing Daisies, although she made some changes to it. I don’t actually use hot pink much, so of course I wanted to try paperdolling it… It’s not quite like the original, I’m afraid, I think I didn’t get the collar right at all, and there’s too many buttons. I’ll pretend that it’s so blindingly pink no one will notice…

Sadly, though, my scanner kind of ate this one — I don’t know why, but when I scanned it, it previewed normally, but the actual colors ended up being weirdly super-saturated — yes, it’s possible even for hot pink — and it seemed to come out more… coarse, somehow. Lily’s gown yesterday did that too. (Plus this one has a few bands on the skirt…) It means I had to play around in Photoshop and try to make the coloring look like what I had, although it’s a lot less pink now, and it’s not so bad when resized. (The large image you see is 25% of the original, which ends up hiding a lot of flaws.) When I get a new scanner, I’m rescanning it, and then you all can enjoy how it’s supposed to be. On the upside, the dress looks pretty cute in blue, too.

Lily Bart’s White Edwardian Tea Gown with Pink Rose Sash from The House of Mirth by Edith Wharton

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Now that I’m done with The Wonderful Wizard of Oz, I do think it’s time for another depressing period piece. This time I’m listening to The House of Mirth by Edith Wharton, read for Librivox by Elizabeth Klett. I’ve read it before, but I’m actually preferring audiobooks lately because I don’t skim so much and get more of the details, and I’ve been thinking of this book since I read this New York Times article about Lily’s fate…

So far there hasn’t been much description of individual dresses, but there’s so much about the culture that those dresses form such a part of. Here’s Lily Bart talking about marriage with Lawrence Selden: “Your coat’s a little shabby–but who cares? It doesn’t keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. The clothes are the background, the frame, if you like: they don’t make success, but they are a part of it. Who wants a dingy woman? We are expected to be pretty and well-dressed till we drop–and if we can’t keep it up alone, we have to go into partnership.”

Well, even if the book does promise to be melancholy, there is a silver lining: the dresses from the Belle Époque are beautiful, even if Sylvia isn’t quite the desired S-shape. I remember later on she wears some form of white dress, but there’s not a lot of physical description in the book so it’s based more on vintage gowns from 1904 and 1905 I’ve been looking at, particularly this one.

Spring Dress Based Off Of The New Yorker Fashion Issue Cover

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The New Yorker Fashion issue arrived the other day, and I loved the cover, so I drew a dress based off of the pattern. I think it looks nice and springy, if a little busy…

I always enjoy the fashion issue, probably because I love clothes and I don’t have a particle of style myself!

Mermaid Monday #1: Golden Kelp Mermaid

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When I look at my site stats, the new blog’s most popular page (besides the doll) is consistently the mermaid one, and a lot of the search engine keywords are mermaid-related. Yes, that’s right, people aren’t searching for zombie paperdolls, they aren’t searching for cupcake aprons, but instead they are searching for mermaids. Now if they were searching overwhelmingly for zombie paperdolls, it’s still unlikely I would have Soulless Saturdays or Flesh-Eating Fridays, but I just love drawing my mermaids.

So, from now until I get bored of it, every Monday is Mermaid Monday! (Except for when it’s not. For example, St. Patrick’s Day next week will not feature a green mermaid, I’ve got plans for that day.) Mermaid Monday might mean old-school shimmery mermaid tails and all the accessories currently fashionable under the sea, or the kinds of things mermaids might wear, should they have to venture on the land for some reason — diplomatic errands, say, or to try capturing the heart of a human, or for just simple curiosity. (What, that just sounds like an excuse to draw pretty gowns in cool colors? I don’t know why you would think such a thing…)

Now, this mermaid, even among mermaids (not renowned for their modesty) is really quite vain. She looks down on those that drape themselves with pearls, jewels, chains and silky fabrics, because to her, all of that artificiality is unnecessary for one with such a shining golden tail. Adding more gold to gold would just be gilding the lily; one might even say “tacky,” and that is a sin with her set. So she goes for a more natural look, for a contrast.