Bella Swan’s Anne of Green Gables Inspired Wedding Gown with White Satin and Rose Lace from Breaking Dawn

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In the final book of the Twilight series, Breaking Dawn, Bella and Edward get married. Bella, whose parents are divorced, has never really seen marriage as a desirable life goal, doesn’t want people to think she’s pregnant and she worries about branding herself a desperate, vapid girl insistent on getting married right out of high school. Certainly nothing says “commitment” like forsaking humanity and spending eternity with someone, so what’s the point of a wedding? Old-fashioned Edward, however, wants to be married, and Bella comes around to his point of view, starting to consider it natural and happy for two people in love to be married, and to heck with the gossips and disapproval of society and her family. She keeps thinking of Anne of Green Gables, of the simpler time she associates with when Edward would have been young, of the high-necked blouse and long skirt she would wear.

Bella guesses that the inspiration was from 1918 when she sees her dress, Alice replies more or less and Liana tears her hair out. Here I thought we were using an Anne-centric timeline, but only in the miniseries did Anne get married during the First World War — in the books, Anne got married in 1890, according to this page, and WWI was her daughter Rilla’s turn as a heroine. So what does Bella’s dress look like? Victorian-style clothes play a large role in her fantasy of simple romance, and she says, looking at the dress, that it’s just what she imagined. Yet, a dress from 1918 probably wouldn’t have that Victorian high neck, or maybe not even the long skirt. It must also be noted that 1918 is when Edward was transformed into a vampire at the age of 17, so a dress from this age would probably appeal to him more than something his mom would have worn. 1918 would also be about right, if Bella’s mother, who thought the gown looked like something from a Jane Austen novel, was a hundred years off. Then Alice was stage-managing the whole thing, and I have a really hard time seeing her send Bella out in an unfashionable wedding dress. No one does high necks anymore, not even LDS members going for modesty, and long sleeves seem to be relegated to the Éowyn look. So what exactly do we have here? An Anne-style 1890 gown with puffed sleeves? A streamlined, more fashionable but still modest 1918 gown? A modern dress with vintage touches? I’ve been trying to decide for the last week.

So yeah, at this point I think I may have pondered the dress — possibly overthought the dress — more than the author, and it’s been maddening. Maybe it’s like the prom dress: however you see it is right. (Witness the range of Twilight wedding dresses on deviantart.) That means I’m going to stop trying to come up with something perfect and just go with a pseudo-1890s gown, taking Bella at her word that she wanted to dress like Anne and got her wish. But you could just as easily assume that Bella only saw the miniseries, so maybe I’ll draw a 1918 gown too, another day. Trying to combine the two — yeah, I got some pretty funny sketches out of the idea, but I think I’ll pass. In my sketches of this dress, she has her hair down and even though it’s old-fashioned, it’s still romantic and sweet.


Lady Clarisse d’Cagliostro’s Second Wedding Gown from Studio Ghibli’s Castle of Cagliostro

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So I adore the Ghibli movies, and since I also adore the original Arsène Lupin it can hardly be a surprise I love the Castle of Cagliostro, the collision of his grandson Lupin III and Hayao Miyazaki. Brian and I watched it again the other day, and it’s definitely one of my favorites, full of action and Lupin getting the better of people. Clarisse here gets two wedding dresses, and I opted for the crown of the first and the dress of the second, because I can’t pull off the thing she wears that covers all her hair unless my paperdoll fans are willing to mutilate their copies of Iris and Sylvia to make it fit.

I have a lot of movies coming up in my future, so tell me what Ghibli movies you like and I’ll paperdoll them a bit…


Liz Patterson’s Final Wedding Dress with Teal and Lavender Roses from For Better or For Worse

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Since my 1940s wedding dress attached to a rant on For Better or For Worse is one of the more popular dresses on the blog, I feel like I should bring the saga to a close. Dee ended up altering the supposedly sixty-something-year old dress into something reasonably modern, the Ghost of Grandma made up for fanciful logic on the part of the cartoonist, the flowers were hideous and Liz ended up marrying that creep. All the way up until the vows were said I was hoping Liz would come to her senses, but immediately after that scene I was so over the whole thing, as evidenced by my putting off the dress for four months. If the end of the saga was boring its weird rebirth is mind-numbingly dreary, although sometimes I visit the Foobiverse!’s Journal out of nostalgia and their second-hand psychoanalysis of Lynn is amusing at times. I still follow Foob’s Paradise, though, which is a webcomic that continues the Pattersons’ adult lives.

Since I get so many search queries related to weddings, I’m thinking of doing some sort of “wedding week” perhaps, maybe after Christmas. If you have any pictures of wedding dresses you just love, feel free to post links in the comments so I can get inspired!

The Good Queen is so far holding her own over the other dead queen and the rest of her competitors. She would say that’s only the way things should be, but it’s not over yet. I will do a bonus costume or two for whoever wins, so if you adore one of them get your vote in, send your friends over, post to your weblog and beg your readers to vote for your favorite!


Mermaid Monday #4: Bride Mermaid in Red Tattered Wedding Dress with Iridescent Blue and Purple Tail

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My poll was a success! Thanks, everyone who voted. While black had a strong showing near the end, iridescent won the day, rather to my chagrin as I haven’t really drawn anything iridescent before… I think it worked out reasonably well, though not perfectly. I based the iridescent part on one of the pearls in this picture.

Mermaids associate the colors pink and red most strongly with weddings and brides, possibly due to red seaweed being a traditional bridal decoration. Pink has a rather old-fashioned feel and deep reds display the family’s wealth, because the deeper the color is, the harder it is to waterproof successfully, and so dark or rich colors weren’t available until more recently and they’re more expensive. These days, mermaid brides tend to choose a shade between pale pink and blood red that they think best suits their tail. (This means that mermaid bridesmaids grumble more than human ones if the bride insists on their wearing the same color; the green-tailed mermaid does not like the poppy red that sets off the bride’s black tail so well, and the mermaid with the light yellow tail feels washed out in the pale pink favored by the silver-tailed bride.) Pearls are also traditional wedding decorations, and a moderately priced rope of white pearls serves much the same function at a mermaid wedding as a toaster does at a wedding for American humans. Different-colored pearls, particularly black and rose ones, are most valued. Red seaweed is, of course, very popular, although seaweed of every type might be used much as humans might use flowers. Depending on where a mermaid lives and on the fashions, other flowers are popular; water lilies are often used in some areas, and tropical flowers such as hibiscus might be more popular in others. Not all mermaid wedding dresses are tattered, but it’s as hard for mermaid designers to resist as lace is for human ones, because of the strong romantic overtones.

For the veil, you will want to cut a straight line between the bottom of the crown, underneath the seaweed, and the veil. This way the doll’s head can be poked through.

New poll for this week: