Silver Princess Gown with Blue and Rhinestone Underskirt

A silvery white gown with a delicate, small scroll pattern all over. The dress is off the shoulder and has large puffed sleeves over the upper arms. The bodice is tight and the skirt is bell-shaped. It's open in the front to show a dark blue underskirt covered with a pattern of rhinestones.Another princess dress! I’m still not ahead, but it’s not really a surprise. I haven’t had a lot of spare time this week and I’m just happy I finished this one! The design on the blue part is inspired by dresses I’ve seen on Pinterest like this blue gown. It’s the first time I tried this particular technique, I will probably use it often but refine it. I’m already wanting to change it on this dress, but… it’s time to post!

Next week, another princess gown! (But I will have something fun lined up for October, as Halloween is traditionally the most important paper doll holiday in my little world…) Don’t forget that you can now download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for sneak previews, paperdoll thoughts and lovely jewelry. If you enjoy my work, I’d also appreciate your support through Patreon.


White Gown with Rainbow Tulle and Rhinestones

A strapless white satin gown with a subtle scroll pattern woven into the fabric and a rhinestone pattern on the bodice. The dress has an empire waist and is mermaid style, fitting tightly around the legs. On one hip is a puffy white satin bow, under which are several puffs of tulle arranged in rainbow colors that fall to the floor. Each puff of tulle is decorated with a number of rhinestones at the edge.

I said that today would be the contest winner elf dress, but I just got back from a trip back to Michigan for my sister-in-law’s wedding and didn’t leave enough time to color the dress properly. Luckily, I already had this dress finished! Before I left on my trip, I was nearly three dresses ahead of schedule, and now the number is back down to zero…

After I finished my previous tulle gown, I wanted to do more and more tulle. I sketched out some dresses, and after I’d sketched this one I decided that I needed to make it into a proper dress immediately. I’m very proud of it — the tulle was fun to make, and I love how billowy it looks. The dress has a Marilyn Monroe singing Diamonds Are A Girl’s Best Friend-style vibe, I think.

Next week will (actually) be the elf dress from my last contest, plus a new poll to decide on what I’ll do for the next contest. Don’t forget that you can now download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for sneak previews, paperdoll thoughts and Art Nouveau jewelry. If you enjoy my work, I’d also appreciate your support through Patreon.


Tiny Tutorial #2: Basic Bead Brush in Photoshop

An image reading "Basic Bead Brush! A Tiny Tutorial from Liana's Paper Dolls, https://lianaspaperdolls.com. There is an image of a stylized sun with wavy rays radiating from the center, which looks like it's been done in small golden beads.Today’s Tiny Tutorial is very tiny indeed, but it’s a very useful technique in my bag of paperdolling tricks, and I wanted to put it up so I can refer to it in future tutorials. Now, I hesitate to do Photoshop tutorials because I’m hardly an expert myself, plus I work with Photoshop CS2, which is nearly a decade old, and I can’t promise that what I do is the best way to do things — or even accurate — for newer versions. Still, if someone can make good use of my techniques or the tutorial sparks someone’s imagination and that person improves on my techniques, then I believe it’s worthwhile.

Three examples of this bead technique: a beaded golden necklace, an edging of silver beads and a garland of pearls.One thing you’ll see me do in several of the new series are small lines of pearls or beads. These are done with a special brush and layer styles in Photoshop; once you have those two things created, Photoshop does all the work of making as many garlands of beads or sequins or rhinestones as you need. (A welcome development after drawing thousands of little circles to serve as pearls.)

An example of the circle brush next to a straight black line with curved ends.First, let’s make the brush. Start with an 20 pixel wide circle brush, 100% hardness, opacity and flow. A single brushstroke looks like a circle, and a line from that brush is going to look straight, thick and well-defined. (Holding Shift while drawing makes the line straight.)

The Photoshop CS2 brush settings window, with the spacing field highlighted.In effect, when I draw the line I’m drawing tons of little circles overlapping each other so that it looks like a solid line. What I want is to move those circles apart so that they don’t overlap, which will make it look like beads. So let’s look at the brush settings window. See the “spacing” setting? Right now, it’s at 25%, and that makes them spaced close enough together to look like a solid line. So all we have to do is…


The Brush settings screen with the spacing increased, creating a dotted line.Increase the spacing. At 105%, each individual brushstroke is far enough apart from the next one that there’s a little space between it.


The circle brush, spaced far enough apart to create a dotted line.There we have it, a dotted line. Save your brush if you like, to save yourself the trouble of having to do it again.

Now, let’s take a quick look at layer styles. Layer styles allow you to change how everything in a layer looks without making any permanent changes, so that you can easily change colors, add shadows and do other things to the underlying image. Layer styles are their own delightful world, and I’m just going to show off one small part of what you can do with them in this tutorial, with future Tiny Tutorials dedicated to how I use them to create the illusion of pearls, rhinestones, beads and so on. Double-click on the layer to open up the layer styles window.

A brownish-golden dotted line.First, let’s change the color with color overlay. I’m going to make this row of beads look golden, so I’m going to start with a warm golden brown base (#d28a00).

A dotted line with a Photoshop layer style effect that makes the beads look golden.To give the beads shape, I generally play around with bevel and emboss, inner shadow, inner glow and drop shadow until I come up with an effect I like. For this example, I’ve just used these settings to give it a simple gold bead look.

A nondescript brown line of beads.When using this, you’ll want to keep in mind how big you want the beads to be, because the layer style changes drastically with the size of the brush. Using that same layer style with a 5 pixel wide brush only gives me a muddy brown line.

A line of small golden beads.I have to adjust the layer style to get anything resembling beads when the brush is so small. You’ll also note that the beads in the 5 pixel wide brush line look like they’re closer together than the beads in the 20 pixel wide brush line; if you’re as picky as I am you may want to adjust the spacing every time you have a new shape.

Three strands of small gold beads winding around each other.With your brush created and your layer style made, all you have to do is draw your beads the way you want them. You can draw freehand, and I tend to use paths or shapes for this, to keep the lines nice and smooth or to be able to accurately go over the same area multiple times with different brushes; paths are well beyond the scope of this tutorial, however! (I used one of the default Photoshop shapes, set as a path, to create the sun symbol at the top of this post.)

In future Tiny Tutorials, I’ll build on this technique and show you the exact layer styles I use for sequins, metallic beads, rhinestones and pearls.


1912 Egyptian Revival Gown with Scarab Belt and Pith Helmet

A 1912-style gown. The underdress is a sandy golden yellow color, with an Egyptian geometrical pattern on the fabric. It has a shallow scoop neck, short sleeves and a long, tube-shaped skirt that falls to the floor. It is gathered slightly above the waist with a wide gold sash, decorated at the front with a large brooch depicting a jeweled blue scarab holding an orange sun and adorned on both sides with a multi-colored wing pattern. At the bodice and at the hem are an Egyptian fan pattern done in small rhinestones. Over this is an overdress made of white lace patterned with Egyptian geometrical patterns and lotuses. The overdress is like a shawl over the bodice, opening at the front to show the fan pattern at the neckline, and going under the belt. It covers most of the underskirt, and opens in the front to show the fan pattern and the drape of the underskirt. There is a pith helmet to go with it, which is about the same color as the dress, but slightly darker and with a more utilitarian texture. Around the crown of the hat is a line of rhinestones.So, this one requires an explanation. A 1912 gown won my poll handily, and then I did a contest to determine who would direct its coloring and patterning. 13 people entered, including my husband Brian, who posted the first comment. Brian is a big Animal Crossing fan, and one of the things you can do in that game is catch different kinds of bugs. He caught a wharf roach, which he warns me, and I will pass the warning on to you, not to google it unless you like really ugly looking bugs. Then one of the animals who lives in his village said “So I’m thinkin’ of basing a design on a wharf roach.” This tickled his fancy, and he produced this image. He also gleefully informed me that, should he win, he wanted a wharf roach themed dress.

I chose the winner by random number using random.org. I just made a list of everyone in the order they’d posted, assigned them a number and hit the button. Brian was #1, and as I hit the button, I thought “Not 1, not 1, not 1.”

He was kind to me, though. He didn’t actually order me to make wharf-roach themed lace. Instead, what he said he wanted was an Egyptian-themed dress with a scarab beetle on it. I was actually happy about this, because as it happened, I had seen some lovely Egyptian Revival 1912 gowns when drawing the sketch for this one. He left it mostly up to me, but said that he wanted it to be a sand color, and he specifically wanted a pith helmet. In his imagination, this dress belongs to the least practical Egyptologist in the world. She’s spending her inheritance looking for lost tombs. That’s right — she got her money from her mummy! (Blame Brian for that one.)

Now that this contest is over, let’s move on to the next one!

Next week, you can look forward to a mermaid tail! Until then, follow me on Facebook, Twitter and Pinterest for site updates, previews and thoughts on what I’m doing lately. If you enjoy my work, I’d also appreciate your support through Patreon.