Mermaid Monday #9: Arctic Mermaid with Deep Blue Tail and White and Blue Top Trimmed with Pearls and Sapphires

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I was going to do an unfortunate light-green colored mermaid this week, but it is the first of the month. You may remember from last week’s installment that mermaids associate light green with death, and even if it is a superstition I created with no basis in mythology or reality, it still seems inauspicious to start one’s month with an ill omen. Instead, since it’s getting snowy here, I thought I’d do a wintery-looking mermaid.

Now, mermaids tolerate cold temperatures very well; their clothes are almost entirely ornamental and they can swim around entirely naked if they choose, although for obvious reasons I end up focusing on the ones who opt for shirts and shells. So even the mermaids who live further to the north in colder waters, like this one, don’t have to do much covering up. Don’t be fooled by her sleeves, they provide about as much warmth as the average silk scarf and their only purpose is to swish fetchingly around her wrists as she chats animatedly with her friends.


Bella Swan’s Hyacinth Blue Prom Dress from Twilight by Stephenie Meyer

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So I read Twilight a while back, after reading about how it was the hot new thing for starry-eyed young girls and their unappreciated mothers. (I had to go through a waiting list of about 114 people for it, too.) I admit that I enjoyed it, in the same way I’ll admit to liking Naruto — it’s definitely shallow, artless wish-fulfillment, but that straightforwardness in and of itself makes it rather sweet. Also, Edward reminds me of Brian in one respect, in that he’s always teasing me about something or another. Beyond that the comparisons are few, but between me and Bella, I’ve got the better guy.

The criticisms of the book depicting really lousy relationship behaviors as desirable, Bella and Edward being Mary Sue characters (e.g. entirely perfect — clumsiness is not a character flaw, thank you), Bella being a moron (I don’t agree with that one, I felt like she was depicted as a book-smart, classics-reading, aloof old soul) and so forth have been addressed at length elsewhere, I’m sure, so I’ll stick to what I know — what? no good dress descriptions? Bella is always wearing things like jeans and flannel, or a brown turtleneck or some such monstrosity. What’s the fun of a proper vampire romance if you’re wearing flannel? The only fancy dress she gets comes in at the end, and isn’t very well described besides being hyacinth blue and off the shoulder. On Stephenie Myers’ website is a cut first draft of the dressing for prom scene, in which the dress gets a little more attention. It wouldn’t work for my paperdolls since I don’t do see-through fabric (so Sylvia and Iris, as well as any other skin colors I draw, can both wear anything), but even if I did, even after much musing on the relevant paragraph, I’m not sure quite what to make of the description. Mostly I’m stuck on the sash at the waist, which is “paled-flowered, hyacinth fabric, that pleated together to form a thin ruffle down the left side” and then goes on to be long at the back and open at the front. Rosalie calls it haute couture, and given that a lot of haute couture is a little beyond me too, maybe the problem is on my side after all. But anyways, that dress is merely from the first draft; I decided on my own version for the paperdoll. For that is the appeal, after all, to put yourself in the heroine’s shoes and stunning gown, imagining yourself the target of slavish devotion from the perfect man. I like it that way, because a quick search through DeviantArt will show as many Bella prom dresses as there are Twilight fanartists, all the way from “her dad wouldn’t let her out of the house wearing that” to full-on medieval princess. Even the movie’s version looks nothing like the others. Me, I envisioned the dress as somewhere between a 1950s party dress and something out of Gone With The Wind, and so that’s what we have here.

I probably won’t go see the movie – I’ve got enough vampirism in my own house.

Anyways! I think the last two polls are pretty clearly over, so let’s start the Grand Halloween Showdown!


Halloween Costume Series Day 17: Dorcas Snodgrass’ 1910s Light Blue Nurse Outfit with Full White Apron and Cap

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“Nurse,” of course, is one of the more popular women’s Halloween costumes but I think they’re often of the “sexy” variety; I suppose the connotation is “hot yet nurturing” but it always makes me think of things like getting blood drawn, which isn’t really the intended effect. Thinking about nurse costumes did remind me of this Metafilter article about a nurse named Dorcas Snodgrass who died under mysterious circumstances in 1912. The article links to this picture of her in the Library of Congress photostream, under which there’s a great comment that brings together some New York Times articles about her disappearance and death, officially ruled a suicide. (The Metafilter thread itself is mostly just good for theories and chatting about the name Snodgrass.) So there — not much of an elaborate costume, but a genuinely creepy nurse story for Halloween.


Cornflower Blue 1927 Dress with Handkerchief Skirt inspired by Lucia in London by E.F. Benson

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Sorry, sorry, I’ve been playing with my bike too much and not drawing enough, I know. But you see, as the new toy novelty wears off, I return to my Prismacolors…

I am reading Make Way for Lucia now, which is a collection of the Mapp and Lucia novels all in one doorstop-sized book. I listened to Queen Lucia first as an audiobook from Librivox, and then, since that book stops so abruptly, was dying to have more, more, more. Luckily there is more more more — Make Way for Lucia includes seven books total. They’re quite funny in a dry, snarky kind of way; as a matter of fact, it occurred to me more than once that it’s a shame the word “snark” itself wasn’t used in the 1920s, because there are so many places where a speaker says something described as “ironical” or “sarcastic” and the proper word can be only “snarky.” So far it is about a small English community and its queen bee, Lucia, and although living with the gossipy, snarky, hypocritical residents of Riseholme would be a sort of hell on Earth for someone like me, socially clueless hermit that I am, it’s delightful to read about it. The characters are mostly so quite dissembling, thoughtless and haughty that I rather hope that they get their comeuppance, and the author then kicks them around quite so thoroughly. So thoroughly, actually that I start to feel bad for them and hope they don’t get hurt too badly, even if it was coming to them, because their gossip and vanity is really all very harmless and none of them are bad, just silly. There’s a comparison to a Jane Austen novel here (especially because now I’m listening to Persuasion), if she was a shade more malicious and didn’t focus on romance.

Anyways, the main character is Lucia Lucas, who in Queen Lucia portrayed herself as a sort of refined lady born in the wrong age who worshipped Shakespeare and Beethoven and had a perfect horror of modern contraptions such as gramophones and London, and she contrived so that the whole town seemed to revolve around her. In the book I’m reading now, Lucia in London, she and her husband inherit money and property in London and suddenly her hatred of the city, modern art and music and so on simply vanishes. She even — oh my! — shingles her hair and wears short skirts. When I was listening to Queen Lucia I thought I should do an Elizabethan paperdoll outfit in deference to Lucia’s despising of modernity (and, also, to my inability to figure out when the book was set, my normal attention to details fixing a book in time quite baffled by Lucia’s quirks and Riseholme’s sleepiness), but now that she has gone to London I thought I had better get with the times as well.

The style doesn’t fit my poor Sylvia or Iris well, as they have no access to the kind of undergarments one would likely wear with such a dress, but oh well. It is based off of a McCalls pattern from 1927, which is when the book was published.