White Gown and Corset with Peach Embroidered Inset from Taylor Swift’s Love Story

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Now I don’t really listen to country music, possibly because I fear being disowned by my dad, who says if he starts to listen to it of his own volition, we will all know he’s gone senile. Still, when Janel wrote about a beautiful dress that she was helping a young friend reproduce, it was almost a foregone conclusion that it’d end up on my blog, even if it did come from a country music song. It’s called Love Story by Taylor Swift, and I think it’s a lovely music video even if I am getting teased by Brian about it.

Since she spends almost all her time in this dress standing behind a balcony, and because I’m watching the video on YouTube, I can’t really tell how the skirt looks; the corset should be about right, but the skirt is more of a guess. From this photo it seems to have some interesting construction going on, but that’s just about the only picture I can find with the full skirt. (The arial view in the video doesn’t count, but it does give away that there is a longer train on the real thing than on the paperdoll. Unfortunately, while her costume designers likely have access to yards and yards of fabric, a proper train would have run off the side of my paper. Paper Dolls 1, Real Life 1.) Should anyone else wish to reference it, I used these two pictures when drawing the corset.

There’s been a tremendous amount of interest in this dress, so I wanted to add two things: One, I’m definitely not the designer — that would be Sandi Spika. Two, Janel wrote a FAQ on the Love Story dress that answers questions about the dress and is very helpful to anyone wanting one for themselves.

I’m glad there’s no clear winner in the poll yet, it makes the Grand Halloween Showdown so much more fun…


Bella Swan’s Hyacinth Blue Prom Dress from Twilight by Stephenie Meyer

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So I read Twilight a while back, after reading about how it was the hot new thing for starry-eyed young girls and their unappreciated mothers. (I had to go through a waiting list of about 114 people for it, too.) I admit that I enjoyed it, in the same way I’ll admit to liking Naruto — it’s definitely shallow, artless wish-fulfillment, but that straightforwardness in and of itself makes it rather sweet. Also, Edward reminds me of Brian in one respect, in that he’s always teasing me about something or another. Beyond that the comparisons are few, but between me and Bella, I’ve got the better guy.

The criticisms of the book depicting really lousy relationship behaviors as desirable, Bella and Edward being Mary Sue characters (e.g. entirely perfect — clumsiness is not a character flaw, thank you), Bella being a moron (I don’t agree with that one, I felt like she was depicted as a book-smart, classics-reading, aloof old soul) and so forth have been addressed at length elsewhere, I’m sure, so I’ll stick to what I know — what? no good dress descriptions? Bella is always wearing things like jeans and flannel, or a brown turtleneck or some such monstrosity. What’s the fun of a proper vampire romance if you’re wearing flannel? The only fancy dress she gets comes in at the end, and isn’t very well described besides being hyacinth blue and off the shoulder. On Stephenie Myers’ website is a cut first draft of the dressing for prom scene, in which the dress gets a little more attention. It wouldn’t work for my paperdolls since I don’t do see-through fabric (so Sylvia and Iris, as well as any other skin colors I draw, can both wear anything), but even if I did, even after much musing on the relevant paragraph, I’m not sure quite what to make of the description. Mostly I’m stuck on the sash at the waist, which is “paled-flowered, hyacinth fabric, that pleated together to form a thin ruffle down the left side” and then goes on to be long at the back and open at the front. Rosalie calls it haute couture, and given that a lot of haute couture is a little beyond me too, maybe the problem is on my side after all. But anyways, that dress is merely from the first draft; I decided on my own version for the paperdoll. For that is the appeal, after all, to put yourself in the heroine’s shoes and stunning gown, imagining yourself the target of slavish devotion from the perfect man. I like it that way, because a quick search through DeviantArt will show as many Bella prom dresses as there are Twilight fanartists, all the way from “her dad wouldn’t let her out of the house wearing that” to full-on medieval princess. Even the movie’s version looks nothing like the others. Me, I envisioned the dress as somewhere between a 1950s party dress and something out of Gone With The Wind, and so that’s what we have here.

I probably won’t go see the movie – I’ve got enough vampirism in my own house.

Anyways! I think the last two polls are pretty clearly over, so let’s start the Grand Halloween Showdown!


Smoke Grey and Pink Butterfly Gown by Charles James via A Dress A Day

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This dress is based on one of Charles James’ “Butterfly” evening gowns, although I’m not thrilled about how it turned out. Erin from A Dress A Day linked to an ivory, fall-colored version as an example of her dream dress, and I really like this smoky, pink version. I’m thinking about Erin and her blog today because recently she wrote about a new book Outliers: The Story of Success, condensing it into a sentence: ten thousand hours of work will make you an expert in your field, and it has little to do with being “naturally talented.” That, of course, made me wonder what percentage of that I’ve already gotten through. I estimate I spend one to four hours on each new blog post I make here. For example, the Metafilter dress probably took about an hour, because it’s a very simple design, the post itself is mostly a collection of links, and I wanted to get that sucker posted while the posting was good, not three days later when my Metafilter traffic was all gone. Something more complicated like my version of the Star Princess dress? Probably three hours to sketch out and settle on a design, finish the drawing and write the post; that’s not including the time I spent looking at other web sites to see what other versions looked like. For simplicity’s sake, I think I can average it out to about two hours per post. Between this blog, the 2004 one, the Boutique and all the other paperdoll related things I’ve done, I think I can safely say I’ve put in 800 – 1000 hours towards my 10,000.

I’ve been thinking about success in this way for a little while; I’m used to skating by on natural talent, things I already know and short bursts of inspiration, and keeping up with a project consistently feels very unnatural to me. (Although the Boutique was up for a couple of years, I updated it in bursts, not one a day like I try to do now.) It was actually zefrank’s the show that helped me see value in long-term approaches. He did a short video blog for a year, one every day, writing songs, making jokes, inviting his audience to participate, and some of his videos were OK, a lot of them were great, and a couple of them sublime. My style was usually to do something great in a rush, with all my attention, then to be done with it. (Or as I told one of my friends, I do my best work in the grip of an obsession.) the show was really Brian’s thing more than mine, but I certainly took this away from it: a new video every day for a year, even if it wasn’t the best, delivered a greater impact than ten wonderful videos alone. Ten wonderful paper doll outfits, I can do that easily if I’m in the right mood. Beyond that, it gets hard.

A new paper doll outfit every day isn’t easy for a perfectionist. You all see the cute ladybug costume, I see “wow, one of those shoulder thingies is so much bigger than the other, and the lace is so sloppy, and why didn’t I put in the red first and draw in the black dots later, instead of smearing the black into the red parts and getting the shiny part all messy?” But at last count 11 of you voted for it as your favorite. Wow. Someone like me has to stop and think about that, because it doesn’t make sense from my perfectionist perspective. It says to me, this is a good approach, that that ladybug costume was created and I learned from it and someone likes it, and that makes it OK.

I’ve got a lot yet to learn in my remaining 9,000 hours — how to draw humans, obviously, and their annoying hands and feet, how to make fabric look right, how to get the most use out of my 160-some colored pencils and how to draw delicate seafoam and seaweed to wrap around my mermaids. It feels like it’s going to take a while, but hey! I’m only 26. Hallelujah, it’s a brand new day (a-chicka quack quack)

This poll ends the 21st, so do get your vote in. I’m so curious if Miss Daae will pull through with the win, if the dark horse ladybug will be ahead or if my gypsy girl will have some good luck for once.


Gold Satin 1814 Regency Gown with White Embroidery from Persuasion by Jane Austen

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Upon reflection I really think the previous white regency gown has to go to someone like Louisa Musgrove, so I just had to draw one that would suit Anne a little better because she totally got robbed. So here’s a gown that’s a shade more sober than the white one, eminently suitable for playing the piano in while everyone else dances. The embroidery and satin only go so far in soothing a sad heart, but I like to think they’re worth a little something.

Why yes, I do love my new pencil sharpener, however did you notice?

So the latest poll is open for a few days yet, but it has a very clear winner, while this poll just has a couple of days to go and the competition is fierce. Don’t forget to vote in it! Soon we will have the Halloween Costume Battle Royale, too.