Halloween Costume Series Bonus: The Vampire’s Black and Purple Regency Ballgown with Black Lace and Silver Sash

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Now, I like the Good Queen as much as anyone, but the vampire always was one of my two favorites ever since she was drawn. (The other was the gypsy girl, who didn’t make it into the finals even though she has the cutest embroidery on the hem of ther skirt.) So the Good Queen took an early lead, but the vampire was always close behind, catching up right near the end, and when I got back from Thanksgiving festivities she had won with a respectable lead, 28 votes to 22 (with Undead Marie in third place with 15 and Christine last with 12). I think the Good Queen must be furious, but as promised, here’s a victory gown for the vampire.

I saw her gown as being an undefined Regency style, so here’s a ballgown in the same vein (I’m sorry, I can’t help myself). I don’t think it’s nearly as good as the first one, but it’s not bad. I’m tempted to do extra outfits for all of the finalists, as I’ve become quite fond of them, and now I have a proper pencil sharpener I bet a good ghostly court dress would be fuuuuun, and not the slog that Undead Marie’s gown was.


White Gown and Corset with Peach Embroidered Inset from Taylor Swift’s Love Story

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Now I don’t really listen to country music, possibly because I fear being disowned by my dad, who says if he starts to listen to it of his own volition, we will all know he’s gone senile. Still, when Janel wrote about a beautiful dress that she was helping a young friend reproduce, it was almost a foregone conclusion that it’d end up on my blog, even if it did come from a country music song. It’s called Love Story by Taylor Swift, and I think it’s a lovely music video even if I am getting teased by Brian about it.

Since she spends almost all her time in this dress standing behind a balcony, and because I’m watching the video on YouTube, I can’t really tell how the skirt looks; the corset should be about right, but the skirt is more of a guess. From this photo it seems to have some interesting construction going on, but that’s just about the only picture I can find with the full skirt. (The arial view in the video doesn’t count, but it does give away that there is a longer train on the real thing than on the paperdoll. Unfortunately, while her costume designers likely have access to yards and yards of fabric, a proper train would have run off the side of my paper. Paper Dolls 1, Real Life 1.) Should anyone else wish to reference it, I used these two pictures when drawing the corset.

There’s been a tremendous amount of interest in this dress, so I wanted to add two things: One, I’m definitely not the designer — that would be Sandi Spika. Two, Janel wrote a FAQ on the Love Story dress that answers questions about the dress and is very helpful to anyone wanting one for themselves.

I’m glad there’s no clear winner in the poll yet, it makes the Grand Halloween Showdown so much more fun…


Smoke Grey and Pink Butterfly Gown by Charles James via A Dress A Day

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This dress is based on one of Charles James’ “Butterfly” evening gowns, although I’m not thrilled about how it turned out. Erin from A Dress A Day linked to an ivory, fall-colored version as an example of her dream dress, and I really like this smoky, pink version. I’m thinking about Erin and her blog today because recently she wrote about a new book Outliers: The Story of Success, condensing it into a sentence: ten thousand hours of work will make you an expert in your field, and it has little to do with being “naturally talented.” That, of course, made me wonder what percentage of that I’ve already gotten through. I estimate I spend one to four hours on each new blog post I make here. For example, the Metafilter dress probably took about an hour, because it’s a very simple design, the post itself is mostly a collection of links, and I wanted to get that sucker posted while the posting was good, not three days later when my Metafilter traffic was all gone. Something more complicated like my version of the Star Princess dress? Probably three hours to sketch out and settle on a design, finish the drawing and write the post; that’s not including the time I spent looking at other web sites to see what other versions looked like. For simplicity’s sake, I think I can average it out to about two hours per post. Between this blog, the 2004 one, the Boutique and all the other paperdoll related things I’ve done, I think I can safely say I’ve put in 800 – 1000 hours towards my 10,000.

I’ve been thinking about success in this way for a little while; I’m used to skating by on natural talent, things I already know and short bursts of inspiration, and keeping up with a project consistently feels very unnatural to me. (Although the Boutique was up for a couple of years, I updated it in bursts, not one a day like I try to do now.) It was actually zefrank’s the show that helped me see value in long-term approaches. He did a short video blog for a year, one every day, writing songs, making jokes, inviting his audience to participate, and some of his videos were OK, a lot of them were great, and a couple of them sublime. My style was usually to do something great in a rush, with all my attention, then to be done with it. (Or as I told one of my friends, I do my best work in the grip of an obsession.) the show was really Brian’s thing more than mine, but I certainly took this away from it: a new video every day for a year, even if it wasn’t the best, delivered a greater impact than ten wonderful videos alone. Ten wonderful paper doll outfits, I can do that easily if I’m in the right mood. Beyond that, it gets hard.

A new paper doll outfit every day isn’t easy for a perfectionist. You all see the cute ladybug costume, I see “wow, one of those shoulder thingies is so much bigger than the other, and the lace is so sloppy, and why didn’t I put in the red first and draw in the black dots later, instead of smearing the black into the red parts and getting the shiny part all messy?” But at last count 11 of you voted for it as your favorite. Wow. Someone like me has to stop and think about that, because it doesn’t make sense from my perfectionist perspective. It says to me, this is a good approach, that that ladybug costume was created and I learned from it and someone likes it, and that makes it OK.

I’ve got a lot yet to learn in my remaining 9,000 hours — how to draw humans, obviously, and their annoying hands and feet, how to make fabric look right, how to get the most use out of my 160-some colored pencils and how to draw delicate seafoam and seaweed to wrap around my mermaids. It feels like it’s going to take a while, but hey! I’m only 26. Hallelujah, it’s a brand new day (a-chicka quack quack)

This poll ends the 21st, so do get your vote in. I’m so curious if Miss Daae will pull through with the win, if the dark horse ladybug will be ahead or if my gypsy girl will have some good luck for once.


1814 White Lace Trimmed Regency Gown with Sheer Overskirt and Pink Shawl from Persuasion by Jane Austen

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Persuasion was one of the audiobooks I listened to earlier this year (again, from Librivox); it’s set starting in 1814, but the time, rather than the book, influenced this dress. Since it’s white, it’s probably considered too young a color for the book’s heroine, but I don’t think I’ve ever done a pure white Regency gown and it sure was fun to draw. This one might as well be titled “Liana Has A New Pencil Sharpener,” really. My old one was probably around eight years old, no wonder it took about two minutes and lots of coaxing to get a point inferior to the ones my new sharpener produces in seconds. It shows, too. Look forwards to a lot of lace in whatever I do next.

I looked at so many sites when thinking about how this dress should be, I can’t list them all, but pemberley.com, the Regency Fashion Page and Jessamyn’s Regency Costume Companion are the ones I noted down for later, so if you have any interest in Regency fashion please take a look at them.

We’re reaching the end of the Halloween costume polls. You haven’t forgotten about them already, have you?