Hallowen ’10 Day 4: White Ballerina Outfit with Pink Roses

Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

Olly-olly-oxen-free! You can come out now, I’m not going to be creepy today. I need a dose of pretty after drawing the Twisted Queen’s gown, especially the little red tendril bits. (My husband still can’t quite look at that one — and he’s the one who kills the spiders and watches the scary movies in our household. He asked me while I was drawing this one, “What are you going to do to it today? Make snakes come out of it?” No — just roses. And they don’t even have thorns, much less poisoned ones. No worries.)

Now, mind you, my foray into ballet was long ago and of extremely short duration (I think I made it through one class?) and in any case, in my costumes I don’t strive for accuracy (I actually have a “no research” rule for Octobers, although I keep breaking it), so please forgive me if, as I suspect, the shoes and so on are all wrong.

A commenter asked recently for me to redraw the Good Queen’s blue and white gown without all of that pesky blood. That is a particularly good dress, I think, and I know it’s one of my mom’s favorites so perhaps I really should, but I don’t like redoing old things somehow. I’m certainly not averse to revisiting the Good Queen, though; given the choice I’d rather draw her a new outfit, but I could make an exception to the no-wallowing-in-the-past rule just this once. If I did, should I keep the colors as they are or draw the dress in the colors it was when she was alive? (For it wasn’t blue and white originally: the colors represent her ghostly nature.)

Prismacolors used: French Grey 10%, 30%, 50%, 70%, Blush Pink, Tuscan Red, Dark Umber, Olive Green, Pale Sage, colorless blender, Verithin Tuscan Red and Olive Green.


Halloween Costume Series Day 14: Christine Daae’s Star Princess Masquerade Costume In Black, Blue and White with Black Domino Mask

Click for larger version; click for the list of dolls.

Kathleen asked, earlier this month, that I do one of Christine Daae’s outfits from the Phantom of the Opera, which was a timely request because I recently got the musical soundtrack from the library. (One of the sad things about the times when I am not drawing is that I must mourn the Outfits which Could Have Been. I listened to the original text many months ago, and then I forced Brian to sit with the recent movie version with me. That he endured as a proof of his love, but he was much more enthusastiac about the next Phantom spinoff we watched, The Phantom of the Paradise. Tagline: “He sold his soul for rock’n’roll.” Anyways, I do regret that I didn’t do a paperdoll series of these Phantoms and Christines. But I digress.)

So since I got the soundtrack, I’ve been singing along — portions of my brain which went on strike during geometry class apparently devoted themselves thoroughly to memorizing the whole musical, it seems — even getting Brian in on the fun, singing Phantom duets along with him to which we make up the words. He’s joined in with me a couple times as I trilled “Music of the Night” in the shower, scaring the living daylights out of me each time (“didn’t you ever see Psycho?” I asked) and gamely followed along with Raoul’s part to “All I Ask Of You.” (“How can anyone LISTEN to this? No one will FIND you? Your fears are far BEHIND you?” he asks. “Just be quiet and sing it,” I reply perfectly logically and reasonably.)

Of course, for Halloween I must do a Masquerade dress, the first step of which was blithely breaking the “no research” rule once again. The movie dress was a pink concoction; I read somewhere it was supposed to represent the influence of the scarlet-garbed Phantom, but I personally didn’t think it quite worked that way — I thought it just looked too conventional, kind of like “Totally Ingenue Barbie!” although certainly it was very beautiful. The stage outfit was rather more what I would prefer, for a masquerade ball — a blue and pink silver-starred ballet outfit, referred to as her “Star Princess” dress. Here you can see a picture of the costume design sketch, some images from the stage and a fan’s reproduction of the dress, and this forum post includes a discussion of the dress and links to pictures of it from different productions. I liked the shape, but didn’t want to just copy one of them, and so looked to the original text for further inspiration. Now, the thing I should have quite liked to paperdoll from the original text was the Phantom’s “immense red-velvet cloak, which trailed along the floor like a king’s train; and on this cloak was embroidered, in gold letters, which every one read and repeated aloud, ‘Don’t touch me! I am Red Death stalking abroad!'” But as for Christine, the only thing described is her black domino mask, and re-reading that scene, it is such a very dark time for her… So here she is, as my Star Princess for the masquerade, but not the stars giving way to dawn as on the stage; the night has laid claim to this Christine.

We are coming to the end of the zombie slaughter poll, so vote…