Mouse’s Marriage (ネズミの嫁入り) and my New Year’s resolution

Click for larger version (PNG):page 1, page 2; click for PDF version: page 1, page 2. Click here for the list of dolls.

I drew this for my mom for Christmas, and she gave me permission to post it. I hope you all like it as much as she did! I’m still learning the ins and outs of kimono drawing, so please forgive any inaccuracies. The original Japanese story can be read here: ネズミの嫁入り (Mouse’s Marriage). I’ve been in contact with the maintainer of that site, actually, and she’s given me permission to translate the other stories there, so I plan to do a lot of those in 2011.

Speaking of 2011… Sometimes, people will e-mail me and ask how to draw dolls, and the advice I give is essentially just to keep practicing, using resources like SenshiStock and library books on figure drawing. That makes me feel like a fraud, because I myself am lousy at drawing humans, and it really shows in my dolls. (I’m happy with Ivy for now, but drawing her took days.) I look at the work of some of my internet buddies like Lys, who does this great daily fashion journal and Boots, who draws dolls in really natural, comfortable poses, and I think, wow, if I could draw dynamic poses like that, or if I could draw great faces like that, or if my hands had that much expression… But then, to borrow a phrase from Jane Austen, I have always supposed it to be my own fault—because I will not take the trouble of practicing.

I don’t have a great track record with New Year’s resolutions, and I believe last year I had none at all (which, really, I rather enjoyed). But I’m going to try one this year. I resolve to spend 20 minutes each day – or, perhaps, each day I can, let us not raise the bar too high now – sketching people. I know this is one I can do, because actually I have already been doing it off and on for a few weeks now.

Two questions for you all. First, would you like me to post the results of my progress? It might help keep me on the straight and narrow to just scan my sketches and link to them at the end of posts, but I can’t imagine it would be very interesting. (Plus, the idea is slightly frightening – I do these sketches of hands that look more like dead sea anemones, and my pride tells me “better hide those, Liana.”) Second, since I’ll just be using freely available reference and stock images and possibly a book or two from the library, would anyone like to adopt my resolution and join me? I was thinking, if there’s interest from a couple other people, we might set up some sort of blog or forum, pick out the day’s pose, share our sketches and keep each other motivated. It’s just a thought, but if you’re interested, whatever your skill level is, e-mail me or post a comment.

My next post will be on the 4th. Happy New Year!


Grey Kimono with Floating White Camellia Pattern Inspired by Sanjuro, plus bonus Black and White Kimono

Click for larger version (PNG):grey kimono, black and white kimono; click for PDF version: grey kimono, black and white kimono. Click here for the list of dolls.

Brian and I signed up for Netflix again recently. We had it a few years back, but canceled our subscription when we both went to grad school and then when he started his own business, leaving us little time to see each other let alone watch movies together. Now, with more reasonable work schedules, we’re merrily filling up our queues again — although I think I got up to around 300 movies in my queue last time, and I’m trying to be more restrained this time around.

The last movie I got was Sanjuro, a samurai movie directed by Akira Kurosawa, and I asked Brian if he wanted to watch it with me. “It’s not going to be like that other one, is it?” he replied. “That other one” would be Rashomon, which we went to see last year; Brian had never seen it before, so he went into it expecting some fun sword fights presented from different perspectives. After he crawled out of the theater, he was despondent about the human condition for a full week. “I don’t remember the description too well, but I think this one’s supposed to be funny,” I replied, a little hesitantly, thinking that I really shouldn’t be so impulsive with that shiny “Add” button.

Luckily, I was right: I think Sanjuro is the funniest samurai movie I’ve ever seen, although it’s hardly a comedy. Toshirō Mifune plays a wandering samurai who lends his expertise – less out of pity than from exasperation at their incompetence – to nine young samurai trying to save their clan leader from being framed for corruption. I don’t like to give too much away, so if you like samurai movies, see if you can find this one somewhere.

I’ve taken a stab at drawing a kimono here – my first one, and it sure does show, so if you know more about kimono than I do, please forgive me. I have a passing acquaintance with the various kimono rules and guidelines, but I’m no expert yet, so rather than a formal kimono I was aiming for a more casual and stylish look. (It might help to know I’m a big fan of CHOKOとチョコと, Mamechiyo — just try to tell me this isn’t awesome — and so on) The main design is a reference to the climactic scene in the movie, where the signal to attack is a mass of camellias floating down a stream. Now, camellias are apparently a rare design for kimonos, because the entire flower drops off the plant at once, instead of petal by petal; this was thought to be evocative of beheading, and therefore not the kind of imagery you wanted all over your sleeves. My design is intended to reference the movie, so I will not worry about emblematic misfortune. (But, should your doll accidentally get her head ripped off, she’s in a better position than a samurai — just print her out again.) Incidentally, the white thing on the obi (the sash around the waist) is the sail of a boat – I didn’t position it right, and it’s covered up by the obijime (the yellow cord). Since you can’t see the back of the obi, you have to imagine that the large, flat knot at the back has a pattern with two more boats on it, for a total of three boats. That would be a not-so-subtle reference to the actor Toshirō Mifune, whose family name 三船 literally means “three boats.”

Since I missed Saturday, I’m adding a bonus today, a black and white kimono. Kimono are all about the patterns and colors, so I thought it would be much easier to draw kimono if I could just have a coloring-book style page to test colors on. I’ve been reading about kimono for many months now: the problem is that I’m familiar enough with them to know all the many ways in which I could get things wrong. If I draw a French court gown in colors that weren’t popular back then, or a 1920s skirt with a hemline a couple inches off, it doesn’t bother me, but somehow kimono are really intimidating. But now I’ve gotten over this first hurdle, I’m going to try some more designs!

By the way, there are a couple new paper doll blogs for you to enjoy: …. Of Paper Dolls…. and Kat’s Paper Doll Emporium. Check them out and leave nice comments! Don’t miss the other delightful paper doll blogs, either – there’s a handy list of them to the right.

Prismacolors used: Cool Grey 10%, 20%, 30%, 50%, 70%, Sandbar Brown, Aquamarine, Light Aqua, Indigo Blue, Blue Lake, Powder Blue, Black, Sunburst Yellow, Goldenrod, Tuscan Red, Crimson Red, Dark Umber and Light Umber, Verithin Black, Sakura Souffle White Gel Pen