Fallout Retro Blue and Yellow Vault Dweller Jumpsuit

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Brian and I got ourselves a PS3 for Christmas – a little early – and so this Saturday has been devoted to gaming, specifically marathon sessions of Fallout 3. We both loved the first Fallout (and I think he liked Fallout 2, though I never played it), so it was an obvious choice for our first PS3 game.

I took a stab at playing it this morning, but I’m not all that good at any game I deem “twitchy,” which means anything that requires more coordination than taking out your average Dragon Warrior slime, because, although it’s not apparent from this blog – at least, I do hope it’s not apparent – I’ve got some mild coordination issues. Thanks to rather a lot of physical therapy when I was very young, it only really plagues me when I’m trying to remember which button changes the perspective, and the camera is pointed somewhere at my feet, I may have accidentally given my pistol to a dead ant, and oh, by the way, there’s a pair of rabid molerats trying to eat me and I just simply can’t deal. On the upside, that doesn’t happen to me very often, because I play the kind of games where everyone takes turns beating on each other like civilized folk. I can handle a very small amount of twitch in my games – I did play through the first Fallout, once as a pacifist – but past a certain point, I’m pretty hopeless.

Also, I’m pathetically easy to creep out – something about horrifying post-nuclear wastelands just tends to make me antsy, you know? When I played the first Fallout, I nearly held my breath the whole time I was in the Glow. Still, I notice that Brian is just now, after playing all day, wandering around the area I got myself repeatedly killed in earlier, so I wonder if my problem is that I got in too over my head and didn’t realize it?

In any case, Fallout 3 features some nicely tailored, practical-looking Vault jumpsuits, but me, I’ve got a soft spot for the shiny retro ones. The Vault number is on the back, so you can choose for yourself which vaults Ivy and Grace hail from.


Grey Kimono with Floating White Camellia Pattern Inspired by Sanjuro, plus bonus Black and White Kimono

Click for larger version (PNG):grey kimono, black and white kimono; click for PDF version: grey kimono, black and white kimono. Click here for the list of dolls.

Brian and I signed up for Netflix again recently. We had it a few years back, but canceled our subscription when we both went to grad school and then when he started his own business, leaving us little time to see each other let alone watch movies together. Now, with more reasonable work schedules, we’re merrily filling up our queues again — although I think I got up to around 300 movies in my queue last time, and I’m trying to be more restrained this time around.

The last movie I got was Sanjuro, a samurai movie directed by Akira Kurosawa, and I asked Brian if he wanted to watch it with me. “It’s not going to be like that other one, is it?” he replied. “That other one” would be Rashomon, which we went to see last year; Brian had never seen it before, so he went into it expecting some fun sword fights presented from different perspectives. After he crawled out of the theater, he was despondent about the human condition for a full week. “I don’t remember the description too well, but I think this one’s supposed to be funny,” I replied, a little hesitantly, thinking that I really shouldn’t be so impulsive with that shiny “Add” button.

Luckily, I was right: I think Sanjuro is the funniest samurai movie I’ve ever seen, although it’s hardly a comedy. Toshirō Mifune plays a wandering samurai who lends his expertise – less out of pity than from exasperation at their incompetence – to nine young samurai trying to save their clan leader from being framed for corruption. I don’t like to give too much away, so if you like samurai movies, see if you can find this one somewhere.

I’ve taken a stab at drawing a kimono here – my first one, and it sure does show, so if you know more about kimono than I do, please forgive me. I have a passing acquaintance with the various kimono rules and guidelines, but I’m no expert yet, so rather than a formal kimono I was aiming for a more casual and stylish look. (It might help to know I’m a big fan of CHOKOとチョコと, Mamechiyo — just try to tell me this isn’t awesome — and so on) The main design is a reference to the climactic scene in the movie, where the signal to attack is a mass of camellias floating down a stream. Now, camellias are apparently a rare design for kimonos, because the entire flower drops off the plant at once, instead of petal by petal; this was thought to be evocative of beheading, and therefore not the kind of imagery you wanted all over your sleeves. My design is intended to reference the movie, so I will not worry about emblematic misfortune. (But, should your doll accidentally get her head ripped off, she’s in a better position than a samurai — just print her out again.) Incidentally, the white thing on the obi (the sash around the waist) is the sail of a boat – I didn’t position it right, and it’s covered up by the obijime (the yellow cord). Since you can’t see the back of the obi, you have to imagine that the large, flat knot at the back has a pattern with two more boats on it, for a total of three boats. That would be a not-so-subtle reference to the actor Toshirō Mifune, whose family name 三船 literally means “three boats.”

Since I missed Saturday, I’m adding a bonus today, a black and white kimono. Kimono are all about the patterns and colors, so I thought it would be much easier to draw kimono if I could just have a coloring-book style page to test colors on. I’ve been reading about kimono for many months now: the problem is that I’m familiar enough with them to know all the many ways in which I could get things wrong. If I draw a French court gown in colors that weren’t popular back then, or a 1920s skirt with a hemline a couple inches off, it doesn’t bother me, but somehow kimono are really intimidating. But now I’ve gotten over this first hurdle, I’m going to try some more designs!

By the way, there are a couple new paper doll blogs for you to enjoy: …. Of Paper Dolls…. and Kat’s Paper Doll Emporium. Check them out and leave nice comments! Don’t miss the other delightful paper doll blogs, either – there’s a handy list of them to the right.

Prismacolors used: Cool Grey 10%, 20%, 30%, 50%, 70%, Sandbar Brown, Aquamarine, Light Aqua, Indigo Blue, Blue Lake, Powder Blue, Black, Sunburst Yellow, Goldenrod, Tuscan Red, Crimson Red, Dark Umber and Light Umber, Verithin Black, Sakura Souffle White Gel Pen



Halloween ’10 Day 2: Evil Sorceress’ Black Gown with Full Skirt and Black Ribbon

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Someone once told me they liked my darker dresses more than the conventionally pretty ones; the truth is, I do too, but conventionally pretty is easier to knock out when it’s 7:30 PM, I haven’t even started to think about what to draw (always much harder than the actual drawing) and I still have to make dinner too. But I resolved to do some darker dresses this Halloween, so we shall see how I do.

I’m not the only one who has a hard time breaking free of conventionally pretty clothes. The owner of this dress — sorceress? evil queen? both, actually, as she had an unconventional career trajectory — has deeply buried attachments to such dresses from her days as a beautiful princess, as good and uninteresting as the day was long, and she never quite lost her taste for some of the elements: the tight bodices, the poofy skirts, the splashes of color and lace. Now, a dress like this she couldn’t wear in front of fellow evildoers and retain her self-respect, as there’s just a touch too much fragility in the bow at the waist, too much domestic modesty in the long sleeves, too much girlishness in the full skirt and not even a creepy pattern in the fabric of the underskirt. It could be saved by a dramatic collar that jutted out inches past her shoulders and soared to her ears, but she just can’t bring herself to put it on and ruin the neckline. So she wears it in the privacy of her own chambers, although I cannot say she does anything so sentimental as reflect on her past life — I cannot say if she can still remember her princess days, to be precise — and if she suspects a henchman of giggling at her, she guts him like a fish.

You will hear more about her later in the month, if all goes well, and see some of the clothes in her wardrobe that better fit her twisted crown. But practice your poker face in the meantime, so she doesn’t think we’re making fun of her.

Prismacolors used: Warm Grey 20%, 50%, 70% and 90%, Black, Scarlet Lake, Tuscan Red, Greyed Lavender, Imperial Violet and Black Grape