Gowns and Dresses

Nera’s Dress from Dragon Quest V: Hand of the Heavenly Bride

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Click for larger version (PNG); click for PDF version. Click here for the list of dolls.

Brian got Dragon Quest V: Hand of the Heavenly Bride a little while back, and we traded off turns playing it for weeks. In terms of overall plot it’s pulled straight from the big book of RPG cliches – evil dude wants to take over! only the legendary hero can defeat him! queens are kidnapped! – but there’s two things that really make it great. One is “party talk,” where in different situations (entering a new town or dungeon level, for example, or after talking to most NPCs) you can talk to the characters that are in your group. The amount of dialogue this game must have is staggering – imagine writing a different response for all those different characters! It’s amusing because a lot of the time it’s stuff that you, the player, are probably thinking, so hearing it from another character in their own voice can be a little startling. It really helps make the characters real, too, when they have their own takes on situations or wonder about things that you might not even have noticed. That leads into the other thing that makes the game great: the generation system. You start out as a little kid, then time skips forward and you play as an adult, getting married, and then time skips forward again and your children are old enough to go adventuring with you. So it’s not like your character is accompanied by some random red mage, fighter and white mage: you’re almost always with friends, often with family, and they always have some interesting thing to say. For someone like me, who likes story and character interaction better than battle systems and so on, the game was great fun.

In the DS version of the game, you have the option to marry three women: Bianca, your childhood friend, Nera, the kind and gentle daughter of a rich family, and Deborah, Nera’s haughty and blunt sister. The game pushes you to choose Bianca (you have adventures with her in your childhoods, Nera has another guy that loves her, heck, in the old versions of the game if you didn’t choose Bianca her father died) but you can choose any of them. So I did choose Bianca my first time around, but Nera definitely has the prettier dress, and anyways she’s more my type, if I was a male RPG hero. (Although I suspect that playing the game with Deborah around to talk to is the most fun.)

Meet Ivy, the first in my new paper doll series!

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Click for larger version with gown (PNG); click for PDF version with gown. Click for larger version without gown (PNG); click for PDF version without gown.

Welcome Ivy to the paperdoll blog family! I’ll miss working with Sylvia and Iris, but they aren’t going anywhere, so you can always go back and look at them and their clothes. With the new scanner, I really needed a change, and I was getting enough requests for new dolls that I wanted to do something about it…

I have big plans for this model of paper doll. The base doll is actually bald and faceless – that means I can draw hair and faces separately and add them on with Photoshop, making it easier to have different options. I’m also drawing the doll itself differently this time. If you look at Iris, she was traced off of Sylvia, and that meant that it was easier to introduce mistakes – the paper shifted, it was difficult to see, and I drew some lines differently – so parts like the arms and legs are different. If I did a third doll from the same shape, she would be different from both Iris and Sylvia in some annoying way and it would be harder to fit even more dresses. This time, I have a very faint outline of the body, and the doll is colored right on top of that, meaning that there should be less variation between dolls. So the upshot: it should be easier to make different skin tones, hairstyles / colors and faces. I wonder if you can see where I hope to go with this someday? Well, there’s a lot of work to go between here and there…

The other big change is that I’m going to start offering PDF files of each drawing. For those of you who just like to look at the pretty pictures online, it won’t make much of a difference, but for those of you who actually print things out, using the PDF file instead of the PNG will guarantee that you’ll always have the right size, and the quality should be better as well. (It also means you can zoom in really close and look at all the flaws, but trust me: print it out and it’ll look smashing.)

I like her a lot, and I hope you all do too. I look forwards to making her many lovely outfits!

Granmammare’s Blue Gown from Ponyo

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Click for larger version; click for the list of dolls.

Brian and I went to see Ponyo the other day. It was gorgeous and lushly animated, and for someone like me who loves the sea, the first sequence was just a delight, with the jellyfish and spider crabs and all. Just in terms of the setting and visuals, it’s easily my favorite Ghibli movie, and I’d love to see it again just for how pretty and filled with life everything was. I enjoyed the story, too: Ponyo and Sōsuke really seemed like actual kids and they were so much fun to watch, and if none of the characters were really tremendously deep, they were sympathetic and sweet. All the little details really made the movie special: the octopus trying to figure out a sliding glass door, the sprinkler system Fujimoto used on land, the way Lisa presented the ramen to the kids. The story is a loose adaptation of the Little Mermaid, and if you’re the kind of person who likes this paperdoll blog I bet you’ll enjoy the movie too, so go see it! For an actual review, try Ebert’s review of it or the Star Crossed Anime Blog review.

It reminded me most of Spirited Away, but somehow not as coherent: things that seemed to have a lot of significance were too casually introduced and dropped. Granmammare and Fujimoto were humans, then gods and protectors of the seas, and somehow produced thousands of magic goldfish children, the moon itself drops out of orbit and pulls all the water towards it, and a five-year old’s pledge of love is enough to set the world back right, despite the fact that the environmental changes must have caused horrendous damages and losses of life. (If the moon was essentially making the highest high tide ever, I couldn’t help but wonder what the low tide elsewhere was looking like…) These things felt to me like they were trying to cram some depth and mythology in; things like boys who are also both rivers and dragons worked in Spirited Away both because it was established as a whole different world and because it had a more mature feel to it, but Ponyo seemed to bounce between being light-hearted and solemn. It also seems to me that Ponyo herself is on track to becoming one of those tedious anime females who attaches herself like a millstone to the neck of the male lead character, happy to be entirely without her own goals or thoughts as long as he’s around. Ugh, about the only one of those I’ve ever liked is Misa from Death Note. Well, I like to think that it doesn’t happen quite that way and that she finds joy as a human in addition to Sōsuke’s existence… These are all really just minor quibbles, though — things that weren’t addressed in the movie that bugged me. I still loved it anyways!

This dress is an adaptation of Granmammare’s blue gown – it’s just flat blue in the movie, but of course that’s not quite so much fun for me. Anyways, it changes shape a few times in the movie, so I like to think it can be pretty much whatever she pleases.

I like all of the Ghibli movies, but in general I prefer the ones that skew a little bit older – Only Yesterday and Princess Mononoke over Ponyo and My Neighbor Totoro, for example. I can’t choose between Porco Rosso and and Whisper of the Heart, so they will both be my favorites.

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