My Fair Lady dresses from Liana’s Paperdoll Boutique

Click for larger version; click for the doll.

A weakness of mine, nine or ten years ago when I was drawing dresses like these for the Paperdoll Boutique, was always letting my desire for perfection (or completion, perhaps) take over, ultimately impeding what I actually wanted to do. It wasn’t enough to have one great outfit from a movie: they all had beauty and value and it was only worth doing if I did them all. Ideas and dresses I felt obligated to do crowded my mind and at a certain point it is easier to accept getting nothing done than it is to accept you can’t do everything you want to do. I do this all the time, and not just with paperdolls; I combat this tendency by drawing one thing a day, none if I’m just not feeling it (like tonight *yawn*) and not holding myself responsible for paperdolling every beautiful dress humans have ever created, or feeling guilty if I can’t draw everything waiting for its turn in my head.

But now I look back and I’m sometimes pretty impressed by the dedication I had to chronicling every single bit of something that I felt needed paperdolling. There are five in this group, here are two: and I guarantee you that at the time I felt bad that I didn’t get her dress from the ball.


Iris, African-American Paperdoll with Lavender Wrap Dress

Click for larger version; click for the list of dolls.

So, I want to try to do more dolls, and here’s the first product of that! She doesn’t have a name yet, feel free to suggest one. (Edit: Thanks to everyone who suggested a name: I decided on one of Min’s suggestions, Iris.) Her hair is taken from one of Rihanna’s hairstyles, and she’s from the same base as Sylvia, of course, so she should fit most of the outfits I’ve already drawn — there may be some variations between the two, though, so let me know if anything using her REALLY doesn’t fit right.

As always, doing the people is always my weak point… I ought to practice more, I know…


A Paperdoll Dress Made Entirely Out Of Tabs (for my husband)

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Thanks to Brian for putting together my April Fool’s joke yesterday. I’m, er, back from my ninja duties. (My mom couldn’t believe I was a ninja. That is why I’m such a very good ninja.)

As thanks to my darling husband, I made him a dress he’s always wanted me to do: a paperdoll dress made ENTIRELY out of tabs. I think you all are lucky that he actually isn’t taking over for me…

If it looks like I’m phoning this one in, well, I am (and depending on how I like it tomorrow, may redo it)… I worked on a new doll for today, and I like her but she’s not ready yet.


Good news, bad news

Click for larger version; click for the doll.

Hey, this is Brian.

So: there’s good news and there’s bad news.

So: what? There’s always good news. And always bad news.

But here we go:

Liana and I met about a decade ago. That’s a long story. You know 2001? This movie about time. Long story. Cave dude throws that bone up into the air — it spins — sunlight — cut to spaceship. Yes, the movie says, some deliberate, ordered sequence of events happened between the bone going up into the air and this spaceship out way beyond the bleeding edge of the sky. But none of that is important, now, since we’re watching this spaceship. And that’s sort of how the movie starts. People mark time. Birthdays, durations of video screen calls, all this garbage. And by the end, there’s all this weird kick the can stuff that makes you want to lie down in the wet popcorn dust on the theater floor and feel time and space and so forth kind of loop out, and then the guy is old, and he’s walking through these rooms, and then there’s this spacebaby. And that’s sort of how the movie ends.

The point being that I could go on for a long time about Liana, how we met, what a joy it’s been to have her companionship and sweetness and laughter since. But instead I’ll jump cut to the fact that, well, she’s gone.

I never had her pegged for the ninjitsu type. True, the warning signs were all there. But she’s up and left us. She didn’t write a note. Ninjas don’t write notes. Nor do they leave forwarding addresses, or even, apparently, lock the doors on their way out.

To the ninja, every door is unlocked. Locks are illusions. Doors are illusions, too. So it makes sense, from a certain perspective.

Hers, not mine.

So now you know the bad news. To wit: ninjas don’t draw paper dolls either. Paper shurikens, maybe. But then they cut them out with the force of a thousand burning eagles and — well.

Thinking about it, I’m glad I’m still alive. I was married to a ninja!

But I feel bad for all of you, who apparently derived some satisfaction from Liana’s paperdoll art.

And I feel bad for myself. Because, come on, I don’t know where she is. Maybe she’s under the fridge. Hiding in the cabinet. Hidden in the shadow of a table leg. Waiting to strike, with the force of a thousand burning eagle paper shuriken.

Hence I’m making the best of things, and I’ll be drawing some paperdoll costumes for you. That’s the good news.

Today’s doll is a celebration of Springtime in the Rust Belt. Frog legs for springing through the mud, a stupid hat for the usual reasons, and a sandwich board bedecked with the smiling sun, token of the King of Shadows and the elves, and also the only thing anybody drinks in this state between approx. March and September.

Happy spring. Also, send me your ninja evasion tips. I’m already doing all the usual stuff: garlic, wolfsbane, mousetraps.