Disneybound Snow White Outfit with Yellow Tulle Skirt

A shimmery dark blue camisole with a scoop neck tucked into a knee-length golden yellow tulle skirt. There's a light blue bolero jacket over the shoulders with lightly puffed cap sleeves. Each sleeve is ringed with a red ribbon and a small red bow.I recently got a book about drawing Disney princesses, “Learn To Draw Disney’s Enchanted Princesses” and although it’s ostensibly for ages six and up, I pity the poor six-year old who gets it for her birthday, sits down with her brand new sketchbook and tries to draw her favorite princess. The very first exercise is how to draw Snow White’s head, and if you’re wondering how to draw her eyes, well, here’s step 1 and step 2…
A picture of an oval next to a picture of a fully drawn cartoon eye.Looks like they’re missing two or three steps there to me!

That’s to say nothing of the later exercises: once you get to Tiana, who’s near the end of the book, they don’t even pretend to be holding your hand anymore.
Step 1: A circle for the head and a long curved line indicating the way the body will move. Step 2: A simplified body and large bell-shaped skirt drawn over the previous image.

“How To Draw The Tick” was a joke, but the difference between steps 1 and 2 here is no joke at all. This book either should be a lot longer, or should focus on only two or three princesses; either way I think the steps should be broken down a bit more for the benefit of readers who might not have several years of drawing experience to back them up.

However, I’m glad I bought the book, because of the very complexity that makes it so frustrating. If you have patience and drawing skill, it teaches you how to draw the princesses — not simplified approximations, but the princesses everyone wants to see more of, princesses that will make you the Queen of Buzzfeed for a day if you master them and pick some pop culture reference or art style to mash them up with. All you need is to be stubborn enough to draw the same thing over and over and over. There’s a movie about a tour of the Disney studios, The Reluctant Dragon, in which the man taking the tour meets with animator Ward Kimball, who dashes off a sketch and, when praised, answers that the first 100,000 drawings are the hardest. Even if the book broke down every step properly, it can’t do those 100,000 drawings for you. I’m starting to feel like I really will need to do that many drawings just to produce a Snow White head that looks like Snow White, because the slightest mistake is so noticeable.

So I’ve been spending a lot of time with Snow White lately, and I’m not even particularly all that much of a fan of Snow White unless she’s the Snow White in Castle Waiting. As with so many other expressions of femininity, like ballet and applying natural makeup, it takes a lot of hard work to produce a princess face that looks natural, simple and attractive. Trying to draw Snow White reminded me of a blog post by Andreas Deja, who worked as an animator at Disney for 30 years, where he wrote about Cinderella that “if you are off by the width of a pencil line, this character would look like an alien from outer space.” In my quest to draw Snow White, I’ve fallen right into the uncanny valley several times, and you’ll note that I’m not posting any sketches here! (You can see some if you stalk my Twitter account, but I’m not helping you out with a direct link.) But hey, I’m much better at drawing Snow White now than when I first started.

Today’s outfit is inspired by Disneybounding, which is putting together casual outfits that are an allusion to a Disney character. Here’s an article about Disneybounding, the Disneybounding tumblr that started it all, and a cool Pinterest board with examples of real-life Disneybounding. For my take on a Snow-White themed outfit, I started with a trendy tulle skirt and added a subtly sparkly blue camisole and a blue bolero jacket. (In my imagination the bolero jacket belongs to a bridesmaid’s dress ensemble, and the wearer added the ribbons later.)

Next week… well, you may actually see that fourth doll, who’s coming along nicely! Until then, you can download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! (I’ll add the 2015 ones soon…) Also follow me on Facebook, Twitter or Pinterest for sneak previews, fashion plates and malformed sketches of Snow White’s head. If you enjoy my work, I'd also appreciate your support through Patreon.


Blue and Gold Princess Gown with White Tulle, plus Thoughts on Princess Culture

A royal blue satin ballgown draped in the front to show the light blue reverse side of the fabric and the full layered tulle underskirt. The gown is off-the-shoulders with long fitted sleeves, and there's a wide gold band at the collar with a scroll and heart pattern decorated with small red, green and blue gems. It has a V waist decorated with a gold band and gems, and the overskirt is edged with a gold band with a scroll and heart pattern  and gems. The skirt is bell shaped and very wide, and the underskirt has several tiers of white tulle edged with flower lace. There's also a golden circlet decorated with red, green and blue gems.I’ve had princesses on my mind lately. The popularity of princesses (particularly the Disney Princess line) is often viewed, especially from a feminist perspective, as a rather embarrassing phase for parents to suffer through, but I’m as feminist as they come, and I think there’s more to it. Why are stories about princesses so compelling to such a wide audience, and why is princess culture so pervasive? I believe it’s because stories about princesses reflect the struggles of the readers, because princesses are unabashedly feminine icons in a society that often disparages women, and because princesses as a character archetype have a surprising amount of flexibility and interest.

The word “princess” comes loaded with significance. (Just come up with a good noun and slap “The Princess And The” in front of it: there’s your story title!) We’re all aware of the historical concept of a princess, and readers know in reality that being a princess probably wasn’t such a great gig. After all, a princess’ marriage was likely decided by political factors, her power often depended on the favor of other people, and she wasn’t likely to have much personal freedom. Still, she probably had some influence and resources that weren’t available to an average woman (and to be sure, her dresses were better).

We readers know these things before we even start reading, so when we encounter a princess in a story we immediately understand she has certain pressures and obligations, as well as some degree of power and privilege. Her position in life makes the stakes higher than they would be for a regular person, which adds tension and drama to the story, but at the same time we understand her problems and relate to them. After all, a princess in a story is likely to worry about things like pleasing her family, living within certain restrictions, finding love and making a place for herself in her world — all things that we readers understand just as well. The limitations and expectations each princess has to cope with and the way she finds her power reflect the conflict between the reader’s desires and our obligations and duties.

In other words, a modern story about a princess is likely to be a story about a woman finding her source of power and taking control of her life. There will probably be some existing limitations, because a princess with no problems or obligations whatsoever may seem unrealistic, but there also have to be opportunities for her to try to get what she wants, because a character that is too bound by outside forces to do anything is problematic both from a storytelling perspective and from a feminist one. So for the story to be compelling, a princess character with limitations in one area has to have some degree of freedom in other ways.

How this plays out is different for each story, and depends on the setting and the characters. A character with little agency like Sansa Stark from Game of Thrones who finds herself trapped among hostile people and has to develop alliances and soft power skills to survive is at one end of the power scale; on the other end are characters like Merida from Brave, who’s an excellent archer and is able to just leave the castle on horseback and go climbing mountains on her own, but still has to deal with being betrothed and comes to learn the value of her mother’s way of doing things.

One major source of power for most princesses is that they tend to embody a lot of what our culture considers feminine virtues, and I think that the celebration of these virtues is something else that causes them to be compelling, particularly to young girls. Modern princesses might even throw a mean punch and be clumsy, like Anna, or have magical powers and a repressed desire to wear a slinky dress like Elsa, but they’re fundamentally admirable people. We all respond positively to beauty, open and loving natures, concern for others and so on, and as we all believe we’re the hero of our own story, it’s easy to identify with these figures, particularly young girls who are just starting the process of figuring out this “being female” business.

In this sense, being a princess has nothing to do with birth and is entirely a matter of one’s state of mind — Cinderella was as much a princess in her ragged clothing as she was in her ball gown — and for that reason a princess can be both inspiring and an accessible role model. This is, of course, the whole point of the novel A Little Princess, whose heroine, who was merely rich, not technically a princess, strove to be an admirable, princess-like person even when impoverished and humiliated.

The flip side of this is that we too soon learn that, in our culture, all these virtues come with serious downsides. Being entirely free to express or not express femininity as you please is tricky, because if you’re perceived as overdoing or underdoing it relative to the situation you may get harassed or not taken seriously; the way that you personally want to present yourself is often a secondary consideration to how your appearance will be viewed by others, and not getting it right can lead to social punishment. What should be fun is actually complex and demanding in ways that are hard to see. As for those virtues, innocence, friendliness and generosity often get taken advantage of, and being modest, self-sacrificing and willing to take care of others generally doesn’t lead to financial security and respect in our capitalist society. The image of being “too good” or “too feminine” is one that women sometimes feel they explicitly have to move away from to be taken seriously. Princesses seem to escape all of this: their virtues are precisely what gain them power and respect, they get to wear the pretty dress and sing to wildlife without anyone thinking less of them and they don’t have to compromise what they like and what’s important to them to be taken seriously.

So I see the popularity of the Disney Princess line among adults and children (mostly women and girls, but there are men and boys who love them too) as a way of showing appreciation for the positive aspects of values such as kindness, friendliness and gentleness, as well as for the more theatrical aspects of femininity such as an interest in beauty and clothes for their own enjoyment, not for attracting men or projecting an image. I think we appreciate these things because they’re fun and they make the world a better place, but also because we know that they’re fragile and often not treated with justice in a society that is too often unkind to women and places impossible demands on them.

As the roles of women have been evolving, so too have the roles princesses play in stories, and I think that today there’s a lot of room for interesting stories about princesses. Of course, I’d like just as well to see plenty of interesting stories about girls and women without noble titles, and I worry that the focus on princesses is too limiting — sure, if I was in charge of counting the money the Disney Princess line brings in, I’d probably want all of our protagonists to be princesses forever and ever too, but there are so many other stories to be told. (I get a lot of stories about non-princess women from webcomics these days — Nimona, Namesake, Ava’s Demon. I have to mention Blindsprings, too, even though it’s about a princess.) Still, as I touched on before, princesses come with a history, and skillful, unexpected use of this history can make them relatable and fresh-feeling characters — that’s an attractive thing for a writer. Modern audiences already know the standard princess stories and tropes; as the success of Frozen shows, we’re now interested in seeing them toyed with and used in surprising ways. Princesses have the potential to surprise now more than ever.

I am going to shoot for doing a new doll next week, but it’s just as likely I won’t be able to finish in time, in which case I don’t know what I’ll be doing! Don’t forget that you can now download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for sneak previews, paperdoll thoughts and lots of fashion plates. If you enjoy my work, I’d also appreciate your support through Patreon.


White Gown with Rainbow Tulle and Rhinestones

A strapless white satin gown with a subtle scroll pattern woven into the fabric and a rhinestone pattern on the bodice. The dress has an empire waist and is mermaid style, fitting tightly around the legs. On one hip is a puffy white satin bow, under which are several puffs of tulle arranged in rainbow colors that fall to the floor. Each puff of tulle is decorated with a number of rhinestones at the edge.

I said that today would be the contest winner elf dress, but I just got back from a trip back to Michigan for my sister-in-law’s wedding and didn’t leave enough time to color the dress properly. Luckily, I already had this dress finished! Before I left on my trip, I was nearly three dresses ahead of schedule, and now the number is back down to zero…

After I finished my previous tulle gown, I wanted to do more and more tulle. I sketched out some dresses, and after I’d sketched this one I decided that I needed to make it into a proper dress immediately. I’m very proud of it — the tulle was fun to make, and I love how billowy it looks. The dress has a Marilyn Monroe singing Diamonds Are A Girl’s Best Friend-style vibe, I think.

Next week will (actually) be the elf dress from my last contest, plus a new poll to decide on what I’ll do for the next contest. Don’t forget that you can now download combined color and black and white PDFs of all of my 2014 dolls and outfits for free! Also follow me on Facebook, Twitter or Pinterest for sneak previews, paperdoll thoughts and Art Nouveau jewelry. If you enjoy my work, I’d also appreciate your support through Patreon.


Ballgown with Tulle Skirt (A Not-Really-A-Tutorial Tutorial)

A ballgown with a halter-style black bodice and a floor-length, bell shaped skirt. The bodice is patterned with a metallic gold brocade. The gown is divided into three layers. The first one is shades of layered orange, yellow and red tulle under a light layer of black tulle, which the warm colors show through. The second layer is light green, dark green and light blue under a layer of black tulle. The third layer is dark blue, purple and magenta under a layer of black tulle. One of my Pinterest boards is titled “Paperdoll Reference.” It may as well be titled my “Why Can’t I Draw Like That?” board. I’ll pin dresses with interesting coloring, particularly shiny dresses or dresses with great draping, with the intention of using them to study from. Not being the most diligent artist in the world, I’ve been piling up interesting examples and not doing all that much with them. Then the thought came to me, why not make the learning process into a paper doll outfit? (Everything’s better with paperdolls.) Sort of like a tutorial, except I, too, start out with no clue what I’m doing. Let’s learn together!

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